Category: commentaries, rants & reflections
Monument Interrupted
31 August 2020
Monument Interrupted31 August 2020
The collages of Superstudio’s ‘Continuous Monument’ have always seemed to me like stills from an unseen film, each image framing a part of a wider scenography. Combining the collages does not make the larger reality of the monument any less elusive or fragmentary, akin to the way that remembered dreams… Read More
Soane’s designs for Combe House continued
30 July 2020
Soane’s designs for Combe House continued30 July 2020
When Drawing Matter recently reproduced a preliminary ground plan for Combe House near Gittisham, Devon, by John Soane, I had a moment’s sudden recollection. Ptolemy Dean’s penetrating analysis of this precious if battered sheet of paper – entirely in the astonishingly fluid and energetic hand of the architect – set me to search… Read More
Pan Scroll Zoom 1
30 July 2020
Pan Scroll Zoom 130 July 2020
This is the first in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of the drawings in presentations and reviews. In this episode Fabrizio writes of his own experience as a tutor and… Read More
Just Begin
28 July 2020
Just Begin28 July 2020
‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More
OMA in Scheveningen
22 July 2020
OMA in Scheveningen22 July 2020
Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More
A Glasgow Effect
17 July 2020
A Glasgow Effect17 July 2020
I draw and make dens to counter the weather of Scotland and the urban dislocation that I experienced from growing up in Glasgow, a city that suffered disproportionately from devastating post-war planning policy and the imposition of industrial modern architecture. The consequences of this are described by the medical term… Read More
Venice Biennale, 1985
14 July 2020
Venice Biennale, 198514 July 2020
The third edition of the Venice Biennale in 1985, ‘Progetto Venezia’, directed by Aldo Rossi, had two major themes: the priority given to the moment of planning and the comparison with the Venetian landscape. For the 1985 exhibition, architects were invited to display their designs for the ‘requalification or the… Read More
The Birds’ Morning Hymn
10 July 2020
The Birds’ Morning Hymn10 July 2020
From a letter to The Times of April 18, 1929: At this season of the resurrection of Nature — that ever-fresh miracle — one thing happens that even keen bird-lovers seem hardly to appreciate to the full. I mean the birds’ Morning Hymn. We have all heard vaguely about ‘Bird… Read More
The Conservative
6 July 2020
The Conservative6 July 2020
All along the wide stony high street of Chipping Campden one is aware of stopped clocks. Time has been strenuously and persistently defied – almost successfully. Even the public telephone box – after a short struggle with the Post Office – has been allowed to wear the protective colouring of… Read More
the Real and Imagined Worlds of Álvaro Siza
26 June 2020
the Real and Imagined Worlds of Álvaro Siza26 June 2020
Inside the cover of Álvaro Siza’s sketchbooks, there is a whole world: the real and the imagined. In his personal registers of the real, Siza accepts the world as it is. He uses drawing in a playful but productive way, learns when he apprehends, absorbs when drawing. This process of… Read More
Instead of an Article
3 June 2020
Instead of an Article3 June 2020
‘As I cannot write an article, this dialogue is intended to replace it. It is only partially authentic, but that, of course, is also the case with the classical dialogues.’ Alvar Aalto in Arkkitehti-Arkitekten (1958): Sigfried Giedion: ‘What do I see, old friend, are you planning to write?’ Alvar Aalto:… Read More
Walpole on Kent
19 May 2020
Walpole on Kent19 May 2020
Here is Walpole’s famous one-liner, but with the remainder of his text on William Kent quoted in full; this is as Pevsner, in his unpublished Visual Planning and the Picturesque, apparently intended it to be. He leaped the fence, and saw that all nature was a garden. He felt the… Read More
The Decline of Architectural Drawing
11 May 2020
The Decline of Architectural Drawing11 May 2020
The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More
The Ultimate Climes of John Lautner
4 May 2020
The Ultimate Climes of John Lautner4 May 2020
Extracted, with permission, from Piecing Together Los Angeles: An Esther McCoy Reader, published by East of Borneo Books © 2012. The publication is available at East of Borneo.
Grounded: Plans & Planning
29 April 2020
Grounded: Plans & Planning29 April 2020
– Richard Hall and Niall Hobhouse
The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More
Haiku
28 April 2020
Haiku28 April 2020
Here John Cage is writing in November 1950 to Cecil Smith, the Editor of Musical America, in passionate defence of Eric Satie, who had been attacked in the journal in an article by Abraham Skulsky. In 1948, Cage had delivered a controversial talk at Black Mountain College, titled ‘Defense of Satie,’… Read More
Cadbury-Brown: Royal College of Art Extension
28 April 2020
Cadbury-Brown: Royal College of Art Extension28 April 2020
The counter-reformation did not last long. In the end I think what reconciled us was that everything I attempted failed. By way of diversion from internal dissension, like any politician, I switched to foreign affairs. There were two things which, as an architect, I was expected to achieve for the… Read More
Daria’s Aria
23 April 2020
Daria’s Aria23 April 2020
Between 1939 and 1941 the French-born, Milan-based editor Daria Guarnati published seven volumes of a series called Aria d’Italia. Each issue formed a substantial monograph on a distinct facet of Italian life and culture. The inaugural Christmas edition was followed by the evocatively titled issues ‘Italy through Colour’, ‘Mediterranean Summer’, ‘The… Read More
BV Doshi: Drawn Closer
23 April 2020
BV Doshi: Drawn Closer23 April 2020
– Balkrishna Vithaldas Doshi and Sarah Handelman
I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More
Ruskin: Fairy Tales
22 April 2020
Ruskin: Fairy Tales22 April 2020
We all have a general and sufficient idea of imagination, and of its work with our hands and our hearts: we understand it, I suppose, as the imagining or picturing of new things in our thoughts; and we always show an involuntary respect for this power, wherever we can recognise… Read More
In the Archive
20 April 2020
In the Archive20 April 2020
In the Archive recreates the experience of a visit to the Drawing Matter collection at Shatwell Farm in Somerset, UK. Each episode begins by inviting a visitor (or visitors) to select a small number of drawings from the collection and to write a reflective text – at times written on… Read More
Writing prize 2020: Drawing People
23 September 2020
Writing prize 2020: Drawing People23 September 2020
– Daniel Innes
Representations of people are central to our ability to inhabit drawings, to make sense of them, understand their scale, their atmosphere, their character: to exist in the world that the drawing constructs. These images of people are immediately recognisable by all, but are we all able to recognise ourselves amongst… Read More
drawing matter writing prize 2020