Category: design methodologies
A Space / two Spaces
30 May 2017
A Space / two Spaces30 May 2017
The following exercise was given by Anthony Vidler as part of a workshop for LSA students on drawing on 31 June 2017. A ‘Ted Talk’ in Drawing Your client desires a space: not too large, not too small. Determine its size to accommodate: Reading Writing Sleeping … Read More
Fred Scott
9 May 2017
Fred Scott9 May 2017
This is probably my first collage with such a serious intent. It came about while I was working with Robin Evans at the Architectural Association. I made it during the second term of our collaboration running Unit 4 in the Diploma School. We had set out to determine a possible… Read More
Fortifications
22 April 2017
Fortifications22 April 2017
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Conen Sigl Architekten
9 April 2017
Conen Sigl Architekten9 April 2017
A drawing made in retrospect is the opposite of a sketch made at the beginning of the design process, which is an incomplete kind of searching for a way to order and compose the constitutive elements. This kind of ‘drawing made afterwards’ is much more about bringing all the principal… Read More
GOWAN DMC (SB6)
28 March 2017
GOWAN DMC (SB6)28 March 2017
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Mario Sironi
27 March 2017
Mario Sironi27 March 2017
Politics as a Pretext for Making Mario Sironi compromised and traumatised in equal parts by his association with Italian Fascism, was known primarily as a painter and propagandist. He worked with and can be compared to Giuseppe Terragni, Mussolini’s most faithful architect, in his devotion to art as an ideological… Read More
Jean-Paul Jungmann
21 March 2017
Jean-Paul Jungmann21 March 2017
The Town: The Dream of Unity in the 1960s Staying on the theme of images and theoretical propositions from the sixties, the environment of the architectonic avant-gardes was that of the groups thought radical – they were Italian, Austrian, British and American (Archizoom, Superstudio, Archigram and others) and were known… Read More
House II
17 March 2017
Scott and La Pietra
17 March 2017
Scott and La Pietra17 March 2017
In this drawing of his project for a house for a sculptor, Ugo La Pietra tries to criticise the boxiness of the standard house and the context of the city. Working to synthesise the forms and disciplines of art and architecture, he draws an enveloping free-form volume on pillars. This… Read More
Nigel Coates
10 March 2017
Nigel Coates10 March 2017
Executed after it opened, this drawing captures the intended vibrancy of one of my first built projects, a café tacked onto the front of a department store in downtown Shibuya. The architectural bricolage of the built space translated well into the mixed media technique of splurged acrylic paint, caked-on oil… Read More
Galli da Bibiena
10 March 2017
Galli da Bibiena10 March 2017
In 1732, renowned architect and painter Ferdinando Galli da Bibiena published a meticulously compiled document illustrating a theory of perspective for the specific use of the architect and the painter. The book was intended for the students of Bologna’s Accademia Clementina (currently the city’s Academy of Fine Arts) and had… Read More
On Architectural Drawing: Lina Bo Bardi and Beyond
9 March 2017
On Architectural Drawing: Lina Bo Bardi and Beyond9 March 2017
‘Please, draw a hand with three fingers folded and the index finger pointing, so that we can make the signs for the toilets and exits’, Lina Bo Bardi instructed me, but I hesitated. Timid in the early days of my internship and not knowing how to draw, I was being… Read More
Mogens Prip-Buus: Utzon
3 March 2017
Mogens Prip-Buus: Utzon3 March 2017
I had been working from late 1956 to 1957 with Vilhelm Wohlert on the schemes of Louisiana and the summerhouse for Niels Bohr, and suddenly there was no more work. Wohlert, who knew all my weaknesses (he had been my teacher in my fifth year at school) advised me to… Read More
Ellis: James Gowan
2 March 2017
Ellis: James Gowan2 March 2017
While typically, the architect employs the sketchbook as a raft by which to navigate the relentless flow of day-to-day practice, those that James Gowan assembled, across the course of his long professional life, served as a more elevated and leisurely mode of transport. Questions that he was addressing in the… Read More
Lütjens Padmanabhan Architekten
9 February 2017
Lütjens Padmanabhan Architekten9 February 2017
– Oliver Lütjens and Thomas Padmanabhan
Hard lead pencils are unforgiving and require concentration, precision and humility when drawing with them. By using a hard lead the painterly effect associated with soft pencil sketches is avoided, with their tolerance to imprecision and visual sloppiness. Sketching with a hard lead requires focus. The joy of drawing a… Read More
Dorrian: Michael Webb
1 February 2017
Dorrian: Michael Webb1 February 2017
In his drawings for the Sin Centre, Michael Webb constantly returns to the parts of the project that are to do with movement – the undulant mechanical escalators and the complex vehicle system through which cars enter and flow through the building on ramps that loop around, cross over and… Read More
William Mann
31 January 2017
William Mann31 January 2017
Waiting Women ‘What’s it like?’: the experience of being there in a building is fundamental. That’s why we draw a lot in perspective (mostly eyeballed rather than constructed), because it offers the closest approximation to being there. But… moving through an urban environment formed by many buildings, reading signs, interpreting… Read More
Jungmann: L’art tue
19 January 2017
Jungmann: L’art tue19 January 2017
L’ART TUE [Art Kills] L’ART TUE was the the name of a poster project, most likely between 1975 and 1976. It followed the theoretical and literary Groupe Utopie [Utopia Group] adventure and their publications between 1966 and 1969, and after the Aerolande development work which lasted until 1975. However, it came… Read More
Caruso St John Architects
18 January 2017
Caruso St John Architects18 January 2017
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Stalder: Projected Sections
15 January 2017
Stalder: Projected Sections15 January 2017
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Celia Scott: L’Attente
31 May 2017
Celia Scott: L’Attente31 May 2017
– Katharine Eustace
Space Stares Back ‘Space’ has come to mean much more than the OED definition, although even there, for such a small word, it has a surprising length, depth and breadth of meaning. It is space that Celia Scott is defining in her ultimately abstract work. As a trained architect with… Read More
art practice interior theoretical & imaginary