Category: Drawing Matter archive: research & collecting

Soane’s designs for Combe House continued

Soane’s designs for Combe House continued

Pierre du Prey

When Drawing Matter recently reproduced a preliminary ground plan for Combe House near Gittisham, Devon, by John Soane, I had a moment’s sudden recollection. Ptolemy Dean’s penetrating analysis of this precious if battered sheet of paper – entirely in the astonishingly fluid and energetic hand of the architect – set me to search… Read More

Ove Arup: Engineering the World

Ove Arup: Engineering the World

Hugh Pearman

My introduction to the work of Ove Arup, the great Anglo-Danish structural engineer whose firm made both the Sydney Opera House and the Pompidou Centre in Paris buildable, came over the course of three years as I walked, almost every day, across his Kingsgate foot-bridge in Durham. This is the… Read More

In the Archive

In the Archive

In the Archive recreates the experience of a visit to the Drawing Matter collection at Shatwell Farm in Somerset, UK. Each episode begins by inviting a visitor (or visitors) to select a small number of drawings from the collection and to write a reflective text – at times written on… Read More

Origins in Translation

Origins in Translation

Mari Lending

Broken bits of ancient architecture piled up in the foreground of a printed page is a topos in the canon of architectural publications. An early example takes place in the frontispiece of Sebastiano Serlio’s book on antiquities. Produced for the first edition of the third book, written in Italian and published in… Read More

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee

Towards the end of my architectural studies in the late 1960s I moved into a little house near the Prinsenhof neighbourhood of Ghent. My neighbours were Ghent people, and my landlord owned the whole block. Every month he would collect rent, and although he didn’t talk to most people, he… Read More

Grandorge’s Pavilion

Grandorge’s Pavilion

David Grandorge

The timber pavilion shown in the film is being transported to its third incarnation, and from inside another shed to its second locale in Shatwell farmyard, where it will serve as a new temporary office for the Timber Frame Company Ltd. The TFC constructed the Peter Smithson Obelisk that has… Read More

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

On 1 October 1980, at the height of postmodernism, Luce van Rooy opened her gallery in Amsterdam, around the corner from the Stedelijk Museum. [1] In a recent interview van Rooy reflects on the history of the gallery: the idea – what she calls a gallery for ‘architecture and related… Read More

Michael Graves: Fargo-Moorehead Cultural Bridge

Michael Graves: Fargo-Moorehead Cultural Bridge

Jordan Kauffman

The Fargo-Moorhead Cultural Bridge is an unrealised project combining infrastructural and cultural programs: a vehicular bridge between two cities over the Red River, a performing arts building in Fargo, North Dakota, the Red River Valley heritage interpretive centre in Moorhead, Minnesota, and at the centre over the river itself, an… Read More

Conjunction and Incongruity

Conjunction and Incongruity

Polly Gould

The word archive, meaning both the collection of documents and the building that houses them, is doubled in its meaning and it is not necessarily clear which one precedes the other. Drawing Matter Open Day highlighted in interesting ways the relation of causality between building and drawing as document or… Read More

letters from nicholas hawksmoor and standford white

letters from nicholas hawksmoor and standford white

Shatwell DrawingScape

Shatwell DrawingScape

Ana Araujo

This year a group of 12 students from the Intermediate School at the Architectural Association, London, are developing proposals for the Shatwell site. They take inspiration from the Drawing Matter collection to create exhibition spaces to display and celebrate the culture of drawing. The work ranges from speculative interpretations of… Read More

The Politics of the Image

The Politics of the Image

Maria Sheherazade Giudici, Joseph Mercer, Florian Scheucher, Keranie Theodosiou, Livia Wang, Sophie Williams and Feifei Zhou

My course, The Politics of the Image at the Royal College of Art, drew on the Drawing Matter Collection amongst others to explore the construction of images since the Renaissance. This construction has allowed a crafty lie to evolve, be challenged and ultimately influence reality – albeit not always in straightforward ways.… Read More

Parataxis

Parataxis

Matthew Wells

‘Whatever elements that may come to hand or that are selected from the profusion of materials within reach, are combined with words to create a simple poetic image. This should amuse, disturb, mystify or provoke reflection. These images above all should entertain – the only sure road to appreciation.’ Man… Read More

Archives, or Ardor

Archives, or Ardor

Iris Moon

Butter, fire, ardor: Roberto Calasso tells us that Vedic India is one of the earliest civilisations and one about which the least is known, having left nothing behind but a few fragments of enigmatic texts about worship and sacrifice. No buildings, no palaces, no traces of temples. Just the simple instructions… Read More

Stephen Taylor: Urban Rural

Stephen Taylor: Urban Rural

The existing enclave of Shatwell Farm has seen a slow decline in its agricultural industry over recent decades, rendering many of its buildings derelict and redundant. The project is seen as part of a process to revitalise the farmstead at Shatwell. Whilst dairy farming is expected to continue and its… Read More

Hugh Strange: the Archive

Hugh Strange: the Archive

Hugh Strange has been involved in the transformations of Shatwell farmyard since 2010. He first entered the conversation as client advisor for an Architecture Research Unit project for a new Gardener’s House on the Hadspen Estate. Although the house was never built, the presence of ARU acted as a catalyst to several living… Read More

On Collecting

On Collecting

Niall Hobhouse

This thrill in informally assembling material of different types from different centuries and places into narratives that are new and unfamiliar is based on probing what can be learned from the drawings themselves. Perhaps also to incite more and more varied use of them as cultural documents, as stimuli to… Read More

Auerbach: Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

Auerbach: Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

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Review: Found in Translation

Review: Found in Translation

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Seven Farmyards

Seven Farmyards

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Five Obelisks

Five Obelisks

Work on Paper: The changing metropolis 1940s–1980s

Work on Paper: The changing metropolis 1940s–1980s

Niall Hobhouse and Nicholas Olsberg

Part III: Monumentalism and motion 1940s –1980s A night rendering, making cinematic use of the dynamics of movement to suggest modernity, appears in the émigré architect Vassilieve’s ideal Manhattan, his animated drawing technique demonstrating how the varied shelves and openings of a setback megablock scheme bring energy and momentum, light… Read More

Work on Paper: The changing metropolis 1815–1900

Work on Paper: The changing metropolis 1815–1900

Niall Hobhouse and Nicholas Olsberg

Part I: Shifting scales and structures The transformation of the modern metropolis is not so much about expanding urban mats and changing topographic patterns as about how architects responded, structure by structure and type by type, to the shifting scales, capacities and ways of working that the city demanded of… Read More

Work on Paper: The changing metropolis 1900–1930s

Work on Paper: The changing metropolis 1900–1930s

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