Category: project & building histories

Wright & Lautner: The Divorce

Wright & Lautner: The Divorce

Nicholas Olsberg

Wright’s Eaglefeather (1941) – hilltop Malibu extravaganza for the filmmaker Arch Oboler – was running into trouble. Lloyd Wright, Frank Lloyd Wright’s son, oversaw construction drawings and supervision, but Lloyd was fired by Oboler in March 1941. Wright came to Los Angeles and arranged for Lautner to complete the project… Read More

Louis Kahn: Notes on a Scrap of Paper

Louis Kahn: Notes on a Scrap of Paper

Brian Carter

This scrap of paper, perhaps scooped up from the floor or a waste basket in Louis Kahn’s studio on Chestnut Street in Philadelphia, shows a single sketch – spidery lines outlining a modest block and strange openings. Beginning drawing in 1958 Kahn searched for a design of a new building… Read More

Cadbury-Brown: Royal College of Art Extension

Cadbury-Brown: Royal College of Art Extension

Lionel Brett

The counter-reformation did not last long. In the end I think what reconciled us was that everything I attempted failed. By way of diversion from internal dissension, like any politician, I switched to foreign affairs. There were two things which, as an architect, I was expected to achieve for the… Read More

Charles Barry: Good and Bad Manners in Architecture

Charles Barry: Good and Bad Manners in Architecture

David Blissett

Architectural manners are […] known by a quality which money cannot buy, and which can le­nd distinction not only to the greatest building but to the smallest. T. A. Edwards, Good and Bad Manners in Architecture, 1924, Preface, vi. There is often an elegance in architectural simplicity that goes unrecognised… Read More

The Garden of Earthly Delights

The Garden of Earthly Delights

Hamed Khosravi

The essay is an excerpt from Gabriel Guevrekian: The Elusive Modernist, by Hamed Khosravi, published by Hatje Cantz. Pre-order through the publisher’s website or visiting www.guevrekian.org.

Postcard from Nowhere (Counterswimming)

Postcard from Nowhere (Counterswimming)

Teresa Stoppani

Sixteen swim in synchrony. Bright red trunks, blue swim caps, in a perfectly choreographed 4 x 4 grid of bodies in motion. They swim in the shallow pale blue pool that contains them, as it floats in the ocean. They are about to collide with a dock that is too… Read More

Yasmeen Lari: Drawn Closer

Yasmeen Lari: Drawn Closer

Helen Thomas

In 2005, earthquakes in northern Pakistan killed 80,000 people. This was an eye-opener for me, and I was drawn to work with these remote, impoverished mountain communities, to help to rebuild their lives. Having retired from conventional architectural practice, and this was something I’d never done before. Unlike NGOs offering… Read More

Where Words Fail

Where Words Fail

Cyril Babeev and Matthew Page

This drawing, a sketched site plan annotated in cursive old-Russian, was published in May 1903 in the Saint Petersburg-based architecture magazine Zodchiy (Зодчій). [1] The plan describes a nearly-square plot sited perpendicular to a street (ulitza, улица) and divided into three areas: a house, represented by a white void; a garden in the… Read More

Web of Intrigue

Web of Intrigue

Michael Webb

Searching the internet for the drawings of Michael Sorkin, one comes across a lengthy list of the projects that have emerged from his eponymously titled studio. Halfway down the list can be found an exotic beauty of a drawing soberly captioned thus: House of the Future. 1999. Coloured Pencil, Hand… Read More

Gowan on the English House

Gowan on the English House

James Gowan

When asked to write for Zodiac about his villa at Chester, built in 1982 for the furniture magnate Chaim Schreiber, James Gowan choses Robert Lorimer and Edwin Lutyens as his references. It is clear that he identifies with Lorimer particularly – another Scotsman, asked to build a house for a good client… Read More

Houses of Work and Play

Houses of Work and Play

Patrick Lynch

The Faculty of Architecture at the University of Porto (FAUP), designed by Álvaro Siza, is set on a hillside, close to a road bridge at the mouth of the river Douro. The bridge seems to be part of the extended composition of the campus; the school-city a gateway to the… Read More

Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art

Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

‘I chose a distant meadow’: The House that Neutra Built

‘I chose a distant meadow’: The House that Neutra Built

Stephen Bayley

There are several curiosities in the plan of this classic modernist house by Richard Neutra. First, more area is allowed for dogs than for music. Second, there is a two-car garage, but a separate parking-space for a Rolls-Royce. Here is fine discrimination. But fine discrimination is exactly what you would… Read More

Aalto on Asplund

Aalto on Asplund

Alvar Aalto

Alvar Aalto, from an interview for the Swedish newspaper Åbo Underrättelser, May 22, 1930. Reprinted in Göran Schildt, ed., Alvar Aalto: Sketches, trans. Stuart Wrede (London: MIT Press, 1979), 16.

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Colin Rowe: Piazza Augusto Imperatore

Colin Rowe: Piazza Augusto Imperatore

Colin Rowe

– Colin Rowe, 1995. Excerpted from Colin Rowe, As I Was Saying: Recollections and Miscellaneous Essays, ed. Alexander Caragonne (London: MIT Press, 1996).

Buckminster Fuller: Geodesic Chandelier

Buckminster Fuller: Geodesic Chandelier

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Tony Fretton: Drawn Closer

Tony Fretton: Drawn Closer

Tony Fretton and Sarah Handelman

Sometimes you make drawings to tell yourself the project is going okay. Well, that’s what I do. This drawing came quite late in the design of the first Lisson Gallery. In the way I used to work, you would reach a point where you’d have a very thorough sense of… Read More

La Casa Della Falsita

La Casa Della Falsita

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Battersea

Battersea

In Bat-Hat, our project for Battersea Power Station, we have divested the existing building of all that froze the immediate site, leaving only that which is considered important – its height and familiar profile. Excerpted from Cedric Price, Works II (London: Architectural Association, 1984), 90.

ETH Zurich: Casting the Cornice in Ticino

ETH Zurich: Casting the Cornice in Ticino

Emma Letizia Jones and Erik Wegerhoff

From the fifteenth century onwards, the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated down to Italy in search of work ornamenting the great palaces and churches of the Renaissance. Further generations of these craftsmen made their way over the Gotthard pass to… Read More

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee

Towards the end of my architectural studies in the late 1960s I moved into a little house near the Prinsenhof neighbourhood of Ghent. My neighbours were Ghent people, and my landlord owned the whole block. Every month he would collect rent, and although he didn’t talk to most people, he… Read More

James Gowan Millbank: Sketches and Comments

James Gowan Millbank: Sketches and Comments

Matthew Page

The following text was first published in 1977 in an issue of AD Profiles dedicated to the Millbank Housing Competition. Run by the Crown Estate, the competition to develop a site adjacent to Vauxhall Bridge attracted nearly five hundred entries, including proposals from Alison and Peter Smithson, Richard Rogers and Renzo Piano,… Read More