Medium: collage

Monument Interrupted

Monument Interrupted

Julian Lewis

The collages of Superstudio’s ‘Continuous Monument’ have always seemed to me like stills from an unseen film, each image framing a part of a wider scenography. Combining the collages does not make the larger reality of the monument any less elusive or fragmentary, akin to the way that remembered dreams… Read More

Philip Johnson on Mies

Philip Johnson on Mies

Philip Johnson

The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus an extraordinary lack of funds for proper presentation,… Read More

Welfare Palace Hotel

Welfare Palace Hotel

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More

Delirious NY: New Welfare Island

Delirious NY: New Welfare Island

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

Gallaratese & Fagnano Olona

Gallaratese & Fagnano Olona

Aldo Rossi

Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More

On plans

On plans

John Meunier

Plans, unlike many other architectural drawings, bear little or no relationship to what the building looks like, but they are crucial. First, they are essential as instructions for those involved with the construction of a building. Without a plan, the bits and pieces of a building could not be properly… Read More

Cadbury-Brown: Royal College of Art Extension

Cadbury-Brown: Royal College of Art Extension

Lionel Brett

The counter-reformation did not last long. In the end I think what reconciled us was that everything I attempted failed. By way of diversion from internal dissension, like any politician, I switched to foreign affairs. There were two things which, as an architect, I was expected to achieve for the… Read More

Daria’s Aria

Daria’s Aria

Sarah Handelman

Between 1939 and 1941 the French-born, Milan-based editor Daria Guarnati published seven volumes of a series called Aria d’Italia. Each issue formed a substantial monograph on a distinct facet of Italian life and culture. The inaugural Christmas edition was followed by the evocatively titled issues ‘Italy through Colour’, ‘Mediterranean Summer’, ‘The… Read More

Postcard from Nowhere (Counterswimming)

Postcard from Nowhere (Counterswimming)

Teresa Stoppani

Sixteen swim in synchrony. Bright red trunks, blue swim caps, in a perfectly choreographed 4 x 4 grid of bodies in motion. They swim in the shallow pale blue pool that contains them, as it floats in the ocean. They are about to collide with a dock that is too… Read More

Sky Architecture

Sky Architecture

On this day in 1933, a certain gorilla scaled the Empire State Building. King Kong might have had an easier time if he had taken the lift. This design for the elevator shaft, by Shreve, Lamb and Harmon, is held in the Drawing Matter collection. Here are are more examples… Read More

The Iconography of Desolation

The Iconography of Desolation

Robert Smithson

‘We now discover an iconoscope that shall forgive the divorce of heaven and hell while it flashes before us for our selective graces – the bits and pieces of Divine Catastrophe. Such a scope has lost all division and order. One must pick over the scattered icons the way a… Read More

Boompjes II

Boompjes II

Stefano de Martino

Triptych This ink drawing was to be printed as a silkscreen and that is when the conversation with Bernard Ruygrok, the printer, started. His place in Amsterdam was amazing. We had several meetings to discuss colors because he had to do everything by hand. At some point I had a smaller version of the ink drawing printed on clear… Read More

Boompjes I

Boompjes I

Stefano de Martino

In the 1980s, the city of Rotterdam asked OMA to study its high-rise building and to illustrate their findings in a planning proposal. The site, selected in consultation with the Rotterdam Planning Department, was situated on Maasboulevard, near the Maasbridge – an angle between the river and the lower city grid, a ‘hinge’… Read More

With Superstudio in Yesterday’s Tomorrow

With Superstudio in Yesterday’s Tomorrow

Eszter Steierhoffer

‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Following social and economic upheaval, there is often a retreat to the home. Traditionally, the ‘home’ is identified with a site of… Read More

Madelon Vriesendorp

Madelon Vriesendorp

Niall Hobhouse and Madelon Vriesdendorp

Excerpted from Madelon Vreisendop in conversation with Niall Hobhouse, RIBA, 2 July 2018

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

On 1 October 1980, at the height of postmodernism, Luce van Rooy opened her gallery in Amsterdam, around the corner from the Stedelijk Museum. [1] In a recent interview van Rooy reflects on the history of the gallery: the idea – what she calls a gallery for ‘architecture and related… Read More

Richard J. Neutra

Richard J. Neutra

Nicholas Olsberg

‘Richard J. Neutra has carried on the Wagner tradition of experimentation in new forms, materials and methods of construction… an impetus to the intelligent solution of new problems.’  Ernestine M. Fantl on the Corona Avenue School, ‘Modern Architecture in California’ (Typescript Mimeograph, MoMA Archives, 1935) Just before 6 o’clock on… Read More

Elizabeth Hatz: Line, Light, Locus

Elizabeth Hatz: Line, Light, Locus

Elizabeth Hatz

This is a Drawing Room, a with-drawing room. It is simply a love-declaration to the architectural drawing. Four walls, three large doorways. One end calmer, the other more open. The first thing decided is a table-bench; the drawing flat on the tabletop – like when you draw it – and… Read More

Lütjens Padmanabhan Architekten

Lütjens Padmanabhan Architekten

Oliver Lütjens and Thomas Padmanabhan

There is an uncanny gap between the cold precision of a computer drawing and the confusing uncertainty of the design process. We try to bridge that gap with a collaborative method that includes a lot of discussions and the use of computer-prints, scalpel, glue, pencil and Tipp-Ex.  The drawing above… Read More

Shatwell DrawingScape

Shatwell DrawingScape

Ana Araujo

This year a group of 12 students from the Intermediate School at the Architectural Association, London, are developing proposals for the Shatwell site. They take inspiration from the Drawing Matter collection to create exhibition spaces to display and celebrate the culture of drawing. The work ranges from speculative interpretations of… Read More

The Sacred Games of Art

The Sacred Games of Art

Patrick Lynch

These images show a series of buildings and public spaces designed over the past decade on Victoria Street, some made intuitively in meetings, others in contemplation, and others as a way to try to communicate something. They also formed part of my PhD submission, and so are sometimes attempts to… Read More

Herbert Matter

Herbert Matter

Nicholas Olsberg

This is the work of the Swiss photographer and designer Herbert Matter, who after a short career in New York had moved to California in 1943 with his wife, the American painter and art critic Mercedes Carles. Both were friends and associates of Fernand Leger, with whom Herbert had been… Read More

Sam Jacob: Blind Spots

Sam Jacob: Blind Spots

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Behind the Lines 1

Behind the Lines 1

Philippa Lewis

I look at this drawing and imagine the following scenario: Rex Savidge, architect, is running short of time. He must submit his plan for a commercial development in Newcastle the following day. Giving it a last look over, he is generally pleased with it: he has taken particular care with the… Read More