Medium: drawing

Biba Dow on Giorgio Morandi: Group and Threshold

Biba Dow on Giorgio Morandi: Group and Threshold

Biba Dow

Giorgio Morandi’s work focused on studying again and again a small group of domestic objects – vases, jugs, bottles – in his home in Bologna. During his adult life, he produced a large quantity of paintings and etchings which together build up a shimmering representation of his field of focus.… Read More

Sky Architecture

Sky Architecture

On this day in 1933, a certain gorilla scaled the Empire State Building. King Kong might have had an easier time if he had taken the lift. This design for the elevator shaft, by Shreve, Lamb and Harmon, is held in the Drawing Matter collection. Here are are more examples… Read More

Seeing, and Disbelieving

Seeing, and Disbelieving

Niall Hobhouse

It is easy enough to say that the analysis of any architectural drawing begins with asking what it is for. But trying to answer this innocent question, which applies equally to the purpose for which the drawing was intended and for which we are now looking at it, presents many… Read More

Next Year in Yemen

Next Year in Yemen

Thomas Padmanabhan

‘Next year, there will be a civil war in Yemen. Please lend me the money so I can go now,’ I had the wit to ask my parents. It was after my first year in architecture school, not knowing that this journey would come to define me as an architect.… Read More

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Tony Fretton: Drawn Closer

Tony Fretton: Drawn Closer

Tony Fretton and Sarah Handelman

Sometimes you make drawings to tell yourself the project is going okay. Well, that’s what I do. This drawing came quite late in the design of the first Lisson Gallery. In the way I used to work, you would reach a point where you’d have a very thorough sense of… Read More

La Casa Della Falsita

La Casa Della Falsita

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Behind the Lines 14

Behind the Lines 14

Philippa Lewis

These are just insignificant sketches, but they remind me of the Exposition Internationale des Arts et Techniques in 1937; by night it was a unique experience – mémorable. You see, one theme of the exposition was light and water: an expression of what could be achieved with the power of modern electricity,… Read More

Basil Spence: Houses of Parliament

Basil Spence: Houses of Parliament

Sketch made by Sir Basil Spence at a meeting of the Royal Fine Art Commission in January 1969 to illustrate a scheme for enlarging the accommodation of MPs in the Houses of Parliament made by his assistant Christopher Libby.

Battersea

Battersea

In Bat-Hat, our project for Battersea Power Station, we have divested the existing building of all that froze the immediate site, leaving only that which is considered important – its height and familiar profile. Excerpted from Cedric Price, Works II (London: Architectural Association, 1984), 90.

A Chevrolet Truck

A Chevrolet Truck

Stephen Bayley

It was the architect Philip Johnson who first compared cars to statuary. In the ‘Eight Automobiles’ show he curated at the Museum of Modern Art in 1951, he coined the expression ‘rolling sculpture’. Johnson was good at coinages: two decades before he had given us ‘the International Style’ to describe… Read More

Espelho Álvaro

Espelho Álvaro

Mário Botta

This mirror was among the objects, sketches and photographs at his great exhibition at Padiglione di Arte Contemporanea. Siza was in a corner of the hall with some friends. More than a thousand guests from the Milano-bene (well-to-do Milanese) had come for a vernissage with fur coats, television spotlights, beautiful women, men… Read More

One Small Sketch for Mankind

One Small Sketch for Mankind

Stephen Bayley

Raymond Loewy’s contribution to NASA was not rocket science. It was one small sketch for mankind. But, like everything the designer ever did, the real significance of these fascinating sketches was outrageously bigged-up by their author. In his blindingly flashy oeuvre, their status is comparable to his (infamous) work for Coca-Cola.… Read More

ETH Zurich: Casting the Cornice in Ticino

ETH Zurich: Casting the Cornice in Ticino

Emma Letizia Jones and Erik Wegerhoff

From the fifteenth century onwards, the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated down to Italy in search of work ornamenting the great palaces and churches of the Renaissance. Further generations of these craftsmen made their way over the Gotthard pass to… Read More

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee: Drawn Closer

Marie-José Van Hee

Towards the end of my architectural studies in the late 1960s I moved into a little house near the Prinsenhof neighbourhood of Ghent. My neighbours were Ghent people, and my landlord owned the whole block. Every month he would collect rent, and although he didn’t talk to most people, he… Read More

Imaginal Cloud Spaces

Imaginal Cloud Spaces

Sayan Skandarajah

Many hours can be spent on what art historian Mary Berry calls ‘the sheer act of looking’ at the Japanese folding-screen paintings titled Rakuchu Rakugai zu (Scenes in and around Kyoto). [1] Across the sixteenth and seventeenth centuries, such paintings captured a seemingly complete image of the capital city. Through the consistent use of… Read More

Other Lives: Charles Eisen and Laugier’s Essai sur l’Architecture

Other Lives: Charles Eisen and Laugier’s Essai sur l’Architecture

Rebecca Williamson

One of the best-known drawings related to the discipline is the ‘allegory of architecture’, drawn by Charles-Dominique-Joseph Eisen and engraved by Jean-Jacques Aliamet. [1] The original is now in the collection of Drawing Matter. Aliamet’s engraving serves as the frontispiece to the second edition of Marc-Antoine Laugier’s Essai sur l’architecture, and was included… Read More

A Dose of Dosio

A Dose of Dosio

Laura Harty

Tightening the belt, lean-manufacturing, ‘trimming the fat’. These are guiding principles of instrumentalised, technocratic systems termed by French sociologists as dégraissé – translated literally ‘degreased’ or ‘defatted’, but also figuratively understood as streamlined, purified and uncontaminated. [1] Instinctively, however, we know that flavour resides in fat. Thoughts of feasting, and midwinter delicacies, wallow… Read More

Surface-oriented

Surface-oriented

Rosa Nussbaum

My desk is a bit like an island: it could just as well be in some other country as here. —Italo Calvino The here in question is a narrow room occupying the top floor of a three-storey house on the southern fringe of Montparnasse. Heavily laden bookshelves and strategically placed objets extend along the… Read More

Six Architects on their Dream Desks

Six Architects on their Dream Desks

Roz Barr, Biba Dow, Elizabeth Hatz, Emma Letizia Jones, Stephanie Macdonald and Helen Thomas

Drawing Matter recently acquired this design for a table, below. Although the work’s last sale in 1972 attributed the drawing to Thomas Chippendale, we are (perhaps wishfully) hoping that it might be an architect’s own design for desk. The sheet set off a flurry of chatter about the platonic spaces… Read More

From a little below and to the right

From a little below and to the right

Niall Hobhouse

There is a characteristic recurrence in Lutyens’ drawings of a quickly sketched oblique perspective in his own hand. Apparently, this is added as an afterthought once the orthogonal image of the building itself has been fully developed elsewhere (sometimes by assistants), and both usually appear on the same sheet. Invariably,… Read More

Leonhard Lapin: Objects on the Beach

Leonhard Lapin: Objects on the Beach

Andres Kurg

Two square black-and-white ink and gouache drawings from 1973 by Estonian architect and artist Leonhard Lapin show scenes from a deserted Baltic beach. On a calm white seashore, below the somewhat sinister black sky and the straight line of the horizon, stand solitary objects: two large flat L-shaped figures on… Read More

Aldo & Adolf

Aldo & Adolf

Aldo Rossi

And architecture itself? Architecture is still the central theme of Loos’s thought, and among his essays is a piece on the competition sponsored by the Chicago Tribune, a piece, which, like the one on the Michaelerhaus and ‘Ornament and Crime,’ is essential to the understanding of the meaning of architecture. This… Read More

James Gowan Millbank: Sketches and Comments

James Gowan Millbank: Sketches and Comments

Matthew Page

The following text was first published in 1977 in an issue of AD Profiles dedicated to the Millbank Housing Competition. Run by the Crown Estate, the competition to develop a site adjacent to Vauxhall Bridge attracted nearly five hundred entries, including proposals from Alison and Peter Smithson, Richard Rogers and Renzo Piano,… Read More