Medium: drawing
Liquid Paper
15 November 2019
Liquid Paper15 November 2019
In ‘The Praise of Hemp-Seed’, John Taylor – the self-styled Jacobean ‘water poet’ – at one point asks why poets have never sung the virtues of the plant before. It is, he answers himself, because their words run dry in the face of the limitless goods it brings – ‘The… Read More
Henry van de Velde and a monument to Nietzsche
13 November 2019
Henry van de Velde and a monument to Nietzsche13 November 2019
Count Harry Kessler – the German aristocrat, publisher, patron and friend of seemingly everyone in the European avant-garde – had long had in mind a worthy monument to his idol, Friedrich Nietzsche, whose seventieth birthday would be celebrated on 15 October 1914. Beginning in February 1911, Kessler began sending letters… Read More
Francesco Milizia on Maderno, Posi and Jonson
7 November 2019
Francesco Milizia on Maderno, Posi and Jonson7 November 2019
The first edition of Francesco Milizia’s Le vite de’ più celebri architetti d’ogni nazione e d’ogni tempo, known in English as The Lives of the Celebrated Architects, Ancient and Modern, was published in Rome by Paolo Giunchi in 1768. Clearly an eighteenth-century incarnation of Vasari’s Lives of the Most Excellent Painters, Sculptors, and… Read More
the difficulty of designing furniture
7 November 2019
the difficulty of designing furniture7 November 2019
I Architecture: a tree here, a house there, or a temple; on the right a hill, or plain, sea, river; a bridge, regular outline of this street, the irregularity of another; colour, rhythms, climate, this client; yellowing photograph, parchment, power, marginality.Not as a matrix. Provocation, hence vocation to distort, to… Read More
Giò Ponti: Plan chest designs, c.1955
7 November 2019
Giò Ponti: Plan chest designs, c.19557 November 2019
Hide-and-Seek
1 November 2019
Hide-and-Seek1 November 2019
The square and compass have long been architecture’s symbols of the trade, but practitioners sometimes used scissors to shape space. French architect Pierre-François-Léonard Fontaine made this cut-out paper model of an interior in or before 1804, the year in which his famous client, Napoleon, became emperor. It represents a simply… Read More
What Lies Beneath
31 October 2019
What Lies Beneath31 October 2019
‘The people of Sydney ought to be afraid of the sharks, but for some reason they do not seem to be,’ recalled Mark Twain in his 1897 Following the Equator. The travelogue was the result of an 1895 lecture tour that Twain, by then 60, had made of the British Empire… Read More
The Office Copier and Baptism by Colour: Working for Rossi in the 1990s
25 October 2019
The Office Copier and Baptism by Colour: Working for Rossi in the 1990s25 October 2019
Aldo made this drawing when the Bonnefanten Museum in Maastricht was already realised. I would say that it is typical for the kind of drawing he would make when he was bored, done with the first pencil and sheet of paper to hand. It is a drawing that already evokes… Read More
Tales from the crypt
18 October 2019
Tales from the crypt18 October 2019
The great mysteries are not the invisible things, but the visible ones. And to me, it is a great and fascinating mystery that the same architect, Giles Gilbert Scott, designed one of the world’s most awe-inspiring large buildings and one of its most exquisite small ones: Liverpool’s Anglican Cathedral and… Read More
Behind the Lines 13
10 October 2019
Behind the Lines 1310 October 2019
I selected a distant meadow in the midst of an empty landscape, barren and forlorn, to make a retreat for myself…. No sooner was the house completed than I knew it was not far enough away from everything I wished to leave behind…Later I sold the house and grounds for… Read More
Geoffrey Goes to Basildon
10 October 2019
Geoffrey Goes to Basildon10 October 2019
Charley in New Town is the peerless Halas and Batchelor film made for the government’s Central Office of Information in 1948, offering a utopian vision of new town living to the dazed postwar urban public. There is something of Charley, pedalling around the streets of the immaculately clean, smoke-free, Neo-Garden City,… Read More
Gio Ponti: un disegno è un idea
7 October 2019
Gio Ponti: un disegno è un idea7 October 2019
Signora Onvoloni, here is a drawing that might find a place in your cabinet of ideas: ‘a drawing is an idea’ – Gio Ponti, translated by Guido Beltramini [1] All seems simple enough on the face of it, and of course one smiles, just as Gio hoped we might. But… Read More
Cedric Price: The Evolving Image
3 October 2019
Cedric Price: The Evolving Image3 October 2019
Cedric Price: The Evolving Image opened at the RIBA’s Heinz Gallery on 8 October 1975 and ran until 29 November. The exhibition was a drawings show of mostly unbuilt works and Price was at once the subject, designer and organiser. Writing in the Architects’ Journal, Sutherland Lyall, the journal’s building editor,… Read More
Behind the Lines 12
23 September 2019
Behind the Lines 1223 September 2019
1870Colonel James Clifton-Brown, newly established at Holmbush, his Regency country house in Colgate, West Sussex, has political ambitions – namely, the parliamentary seat for Horsham. He observes that the villagers have only a small cramped chapel in which to fulfil their ambitions to be good Christians. The chapel is not… Read More
John Hejduk’s Axonometric Degree Zero
23 September 2019
John Hejduk’s Axonometric Degree Zero23 September 2019
Sometime in 1981, while I was working on my final thesis project at the Cooper Union, John Hejduk set me a drawing exercise. We had been discussing the spatial implications of the 90-degree axonometric. [1] Hejduk had a very particular understanding of this drawing type, which involved folding or hinging… Read More
Josef Frank: Happy Accidentism
21 September 2019
Josef Frank: Happy Accidentism21 September 2019
In the summer of 1947, the Austrian architect and designer Josef Frank began a brief but intense correspondence with his lover, Dagmar Grill, which took the form of thirteen sketch-proposals for a single-family house. Since emigrating to Sweden in 1933, Frank had carried out numerous interior design commissions through his… Read More
Harvey Wiley Corbett on Architectural Models of Cardboard
19 September 2019
Harvey Wiley Corbett on Architectural Models of Cardboard19 September 2019
Between April and August 1922 the American journal Pencil Points printed a four-part series by the architect Harvey Wiley Corbett on architectural models that were made of cardboard. According to Corbett, cardboard was a medium for modern times, providing an economical and labour-saving way for the architect to produce models for study… Read More
Alberto Ponis: Living in Colour
17 September 2019
Alberto Ponis: Living in Colour17 September 2019
Since 1963, when I left London to work and stay in Sardinia, I kept and still keep a yearly agenda/diary, one day for a page, to note the place where I am, the weather, the appointments, the site visits and the other sort of events of some interest. These are… Read More
Gio Ponti: ‘Come for Porchetta’
23 August 2019
Gio Ponti: ‘Come for Porchetta’23 August 2019
The Milanese architect Gio Ponti typically arrived at his office very early in the morning and would use the quiet interlude before his colleagues appeared to write a succession of letters – to friends and associates, to clients and contractors, to his associate editors at Domus or Stile, to his fellow architects Le… Read More
Le Corbusier and the Poetry of Objects
22 August 2019
Le Corbusier and the Poetry of Objects22 August 2019
The consideration of objects shapes the mind, providing it with resources: sliced butcher’s bones, shells that are whole or broken by the tides. . . . Nature also teaches sharpness, the rigour of functions. — Le Corbusier, Unité [1] Around 1928, Le Corbusier abandoned the universe of manufactured objects, having exhausted all… Read More
Dom Hans van der Laan
19 August 2019
Dom Hans van der Laan19 August 2019
On 23 November 1968 the Dutch architect and Benedictine monk Dom Hans van der Laan unfolded an eighteenth-century piece of fabric, the Douglas tartan, in order to explain the mechanisms of space to his students. Alongside his brother Nico, van der Laan had been teaching a course in church architecture,… Read More
Learning from the tortoise
9 August 2019
Learning from the tortoise9 August 2019
I. The tortoise is certainly slow, but in the ancient fable it arrives sooner than the hare – or according to the even older paradox of Zeno it always arrives before the mighty runner Achilles. Slowness is usually seen as a negative characteristic, lacking the vibrancy of speed. But everything… Read More
Adolphe Appia: ‘Luminous – Very Luminous’
27 November 2019
Adolphe Appia: ‘Luminous – Very Luminous’27 November 2019
– Ross Anderson
I. In a melancholy mood, the Swiss scenographer Adolphe Appia sat down at his drawing table in the little bed-sit he was renting in Geneva and took up his pencil and a little hardbound notebook to write down his ‘notes personelles / 1905’: ‘At my age, that of forty-three, I… Read More
civic & municipal