Period: c19th

Soane’s designs for Combe House continued

Soane’s designs for Combe House continued

Pierre du Prey

When Drawing Matter recently reproduced a preliminary ground plan for Combe House near Gittisham, Devon, by John Soane, I had a moment’s sudden recollection. Ptolemy Dean’s penetrating analysis of this precious if battered sheet of paper – entirely in the astonishingly fluid and energetic hand of the architect – set me to search… Read More

The Birds’ Morning Hymn

The Birds’ Morning Hymn

Robert Lorimer

From a letter to The Times of April 18, 1929: At this season of the resurrection of Nature — that ever-fresh miracle — one thing happens that even keen bird-lovers seem hardly to appreciate to the full. I mean the birds’ Morning Hymn. We have all heard vaguely about ‘Bird… Read More

Notes on Port Royal, Jamaica

Notes on Port Royal, Jamaica

Paul Cox

My parents Oliver and Jean Cox were devoted ‘Jamaicophiles’, having worked on many projects in the country since the 1960s. One of the most enduring and absorbing was a proposed redevelopment of Port Royal as a renewal and upgrade of the historic city, rebuilding and restoring while making an interesting… Read More

Soane: Energy and Frustration

Soane: Energy and Frustration

Ptolemy Dean

This seemingly benign-looking plan is in fact a thrilling drawing. It shows Sir John Soane’s cerebral struggles in attempting to resolve a number of key competing design elements in the planning of a country house. The drawing exudes energy and frustration. The challenge of designing buildings symmetrically is hard work… Read More

Brook House

Brook House

Andrew Jones

There is no building that tells the social and aesthetic story of Park Lane better than Brook House. From its beginnings as a scrappy country lane (‘Tyburn Lane’) in the eighteenth century, Park Lane rose to become the millionaires’ row of the Victorian and Edwardian eras and went on in… Read More

The Decline of Architectural Drawing

The Decline of Architectural Drawing

C. H. Smith

The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More

Ruskin: Fairy Tales

Ruskin: Fairy Tales

John Ruskin

We all have a general and sufficient idea of imagination, and of its work with our hands and our hearts: we understand it, I suppose, as the imagining or picturing of new things in our thoughts; and we always show an involuntary respect for this power, wherever we can recognise… Read More

Charles Barry: Good and Bad Manners in Architecture

Charles Barry: Good and Bad Manners in Architecture

David Blissett

Architectural manners are […] known by a quality which money cannot buy, and which can le­nd distinction not only to the greatest building but to the smallest. T. A. Edwards, Good and Bad Manners in Architecture, 1924, Preface, vi. There is often an elegance in architectural simplicity that goes unrecognised… Read More

Summerson: The Little House

Summerson: The Little House

John Summerson

– John Summerson, ‘Heavenly Mansions: An Interpretation of Gothic,’ in Heavenly Mansions, and other Essays on Architecture (New York: W. W. Norton, 1963), 1-3.

ETH Zurich: Casting the Cornice in Ticino

ETH Zurich: Casting the Cornice in Ticino

Emma Letizia Jones and Erik Wegerhoff

From the fifteenth century onwards, the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated down to Italy in search of work ornamenting the great palaces and churches of the Renaissance. Further generations of these craftsmen made their way over the Gotthard pass to… Read More

Adolphe Appia: ‘Luminous – Very Luminous’

Adolphe Appia: ‘Luminous – Very Luminous’

Ross Anderson

I. In a melancholy mood, the Swiss scenographer Adolphe Appia sat down at his drawing table in the little bed-sit he was renting in Geneva and took up his pencil and a little hardbound notebook to write down his ‘notes personelles / 1905’: ‘At my age, that of forty-three, I… Read More

Hide-and-Seek

Hide-and-Seek

Iris Moon

The square and compass have long been architecture’s symbols of the trade, but practitioners sometimes used scissors to shape space. French architect Pierre-François-Léonard Fontaine made this cut-out paper model of an interior in or before 1804, the year in which his famous client, Napoleon, became emperor. It represents a simply… Read More

Behind the Lines 12

Behind the Lines 12

Philippa Lewis

1870Colonel James Clifton-Brown, newly established at Holmbush, his Regency country house in Colgate, West Sussex, has political ambitions – namely, the parliamentary seat for Horsham. He observes that the villagers have only a small cramped chapel in which to fulfil their ambitions to be good Christians. The chapel is not… Read More

Learning from the tortoise

Learning from the tortoise

William Firebrace

I. The tortoise is certainly slow, but in the ancient fable it arrives sooner than the hare – or according to the even older paradox of Zeno it always arrives before the mighty runner Achilles. Slowness is usually seen as a negative characteristic, lacking the vibrancy of speed. But everything… Read More

Halsey Ricardo

Halsey Ricardo

Nicholas Olsberg

Early in 1916, RIBA president Halsey Ricardo reported on an acquisition that, when added to the works of Bibiena, Palladio, Jones and Wren, would begin to build a more continuous corpus of the drawn history of architecture. [1] This was a large set of sketchbooks and project drawings ‘from a… Read More

On Cornices, Part I

On Cornices, Part I

Emma Letizia Jones

In 1806, the civil servant Karl Tilebein and his wife were looking for an architect to design their new country house in Züllchow, Pomerania. They contacted the young Prussian architect Karl Friedrich Schinkel, who, having recently returned from a two-year grand tour of Italy, was back in Berlin eking out… Read More

Kurt Forster

Kurt Forster

Kurt Walter Forster

Schinkel’s architecture is of a piece with his life, yet in various ways, by picturing and publishing the work, he took himself out of it. He wanted to make sure that his architecture could stand on its own, however deeply it had been a part of him. He was, in… Read More

Behind the Lines 8

Behind the Lines 8

Philippa Lewis

Annette Berthe Schlegel, wife of Adalbert, mother of Mariana, Friedrich, Werner and Elmira, and grandmother to little Wilhelm and Lydia, died peacefully in her cherry wood bed at home in Marienstrasse, Stuttgart, on March 29th, 1812. Adalbert, a successful watchmaker, had held Annette dear, and two weeks after the funeral… Read More

Commonplace

Commonplace

Nicholas Olsberg

In 1877, London’s Building News reprinted – as the ‘work of two eminent architects, though it cannot be said to be their joint production’ – an elevation, plan, and partial section published by Eugène Viollet-le-Duc as a model town house, noting that this supposed ‘London Residence’ had been adapted – with due… Read More

Behind the Lines 7

Behind the Lines 7

Philippa Lewis

Mr. Tassie’s House On June 27th 1807 William Tassie scratched his long nose, dipped a pen in the inkwell, and finished off his letter to Alexander Wilson Esq of Messrs. Dunlop & Wilson, Booksellers of Glasgow:   ‘I have been near a twelve month engaged with alterations in my house –… Read More

Artists at Work

Artists at Work

Deanna Petherbridge

I recently had the pleasure of jointly selecting a group of drawings from the Katrin Bellinger collection for the exhibition Artists at Work at the Courtauld Gallery, London (3 May to 15 July 2018). The title is generically applied to her focused collection of paintings, drawings, prints and photographs concerned with artists’… Read More

Aux Citoyens Membres de La Commune attachés à la commissions des services publics

Aux Citoyens Membres de La Commune attachés à la commissions des services publics

Matthew Page

i Hector Horeau’s sketch of the Church of La Madeleine came at the height of the Paris Commune – the radical socialist regime that governed the French capital from 18 March – 28 May 1871. Although dated 19 April 1871, the drawing is on the verso of a frontispiece to Panorama… Read More

A Fragment of Wright’s Great City

A Fragment of Wright’s Great City

Nicholas Olsberg

Wright, Wagner and the Idea of the Great City We become greater in service to the general effect, more harmonious as part of the whole.– Frank Lloyd Wright, ‘To my European Co-Workers’, 1925 ‘I came upon the Secession during the winter of 1910,’ Wright wrote in An Autobiography, noting with great… Read More

Schinkel: ‘Precisely Loose’

Schinkel: ‘Precisely Loose’

Lok-Kan Chau

What light may Schinkel’s drawings shed on Building Information Modelling (BIM) practice? In 1806 the young Schinkel was asked to develop a residence design from a set of initial layout plans. He drew a façade section, a peristyle detail and a column capital, before the war began and the commission… Read More