Tag: art practice
Siza at sixteen
10 July 2020
Siza at sixteen10 July 2020
– Manuel Montenegro and Álvaro Siza
Pouco a pouco, quase sem dar por isso, o carvão começou a não partir, o papel a não manchar, o miolo de pão a manter a plasticidade, o fôlego a aumentar. E a confiança. Slowly but steadily, unwittingly, the lead began to not break, paper to not stain, the bread… Read More
L’Invasion de la Viande
14 May 2020
L’Invasion de la Viande14 May 2020
As part of an imagined intervention in the subterranean spaces of the redeveloped Les Halles, Jean Criton’s project describes the new Metro station invaded, in a sinister process of parthenogenesis, by the meat from the Pavillon de la Boucherie, which had stood on the site until its controversial demolition eight… Read More
The Iconography of Desolation
17 February 2020
The Iconography of Desolation17 February 2020
‘We now discover an iconoscope that shall forgive the divorce of heaven and hell while it flashes before us for our selective graces – the bits and pieces of Divine Catastrophe. Such a scope has lost all division and order. One must pick over the scattered icons the way a… Read More
Leonhard Lapin: Objects on the Beach
13 December 2019
Leonhard Lapin: Objects on the Beach13 December 2019
Two square black-and-white ink and gouache drawings from 1973 by Estonian architect and artist Leonhard Lapin show scenes from a deserted Baltic beach. On a calm white seashore, below the somewhat sinister black sky and the straight line of the horizon, stand solitary objects: two large flat L-shaped figures on… Read More
Dara Birnbaum: Domestication and the Permutation of Interruption
2 July 2019
Dara Birnbaum: Domestication and the Permutation of Interruption2 July 2019
My first experience with video art happened by chance. After obtaining an architecture degree from Carnegie-Mellon University, in Pittsburgh, I joined Lawrence Halprin & Associates, an architectural firm in San Francisco that specialised in the planning of urban spaces and then conveying, through varying means of visual communication, such ideas… Read More
Lauretta Vinciarelli’s West Texas Types
26 June 2019
Lauretta Vinciarelli’s West Texas Types26 June 2019
Lauretta Vinciarelli was born in 1943 in Arbe, Italy and raised in Rome. In the mid-1960s she attended graduate school at the La Sapienza University in Rome, earning her doctorate in architecture and urban planning in 1971. As a student she encountered the typological and vernacular approaches to housing and… Read More
Kurt Forster
8 February 2019
Kurt Forster8 February 2019
Schinkel’s architecture is of a piece with his life, yet in various ways, by picturing and publishing the work, he took himself out of it. He wanted to make sure that his architecture could stand on its own, however deeply it had been a part of him. He was, in… Read More
Riet Eeckhout
20 August 2018
Riet Eeckhout20 August 2018
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Remembered Space
22 April 2018
Remembered Space22 April 2018
A subtle and beguiling assemblage of recent works by Celia Scott is appropriately mounted on the plywood walls of the intimate Velorose Gallery, Charterhouse Square, London (13th April to 18th May 2018). Plywood, aluminium and carefully modulated surfaces that are revealed or obscured by spray paint are the stuff of… Read More
Elena Manferdini
17 April 2018
Elena Manferdini17 April 2018
The tryptic Ink on Mirror is part of a collection of elevation studies developed over the past three years by my office, Atelier Manferdini. My reason for compiling a suite of digital sketches was rooted in the belief that for the past twenty years computers have been able to produce new geometrical… Read More
James Wines: Ghost Parking Lot
5 October 2017
James Wines: Ghost Parking Lot5 October 2017
This drawing depicts a site-specific public art project, commissioned by the retail developer David Burmant, which entombed twenty junked cars under a layer of asphalt in a suburban shopping plaza. James Wines was interested in upending expectations about common iconographic elements of suburbia by inverting the relationship between such objects… Read More
Salvador Dalí
28 July 2017
Salvador Dalí28 July 2017
There is evidence that Salvador Dalí’s enigmatic study for a building facade is part of a real project, but we don’t know what that might be. The sketch resists interpretation and association, far different from anything else Dalí produced at the time: 1939 – a year in which he has… Read More
Guy Debord
7 June 2017
Guy Debord7 June 2017
‘But I must here, once and for all, inform you that all this will be more exactly delineated and explained in a map, now in the hands of the engraver … not to swell the work … but by way of commentary, scholium, illustration, and key to such passages, incidents,… Read More
Celia Scott: L’Attente
31 May 2017
Celia Scott: L’Attente31 May 2017
Space Stares Back ‘Space’ has come to mean much more than the OED definition, although even there, for such a small word, it has a surprising length, depth and breadth of meaning. It is space that Celia Scott is defining in her ultimately abstract work. As a trained architect with… Read More
Perry Kulper
14 February 2017
Perry Kulper14 February 2017
‘Spatial Blooms’ and Digital Expectations Within the currently dominant visual culture, architectural drawing is persistently called to compete with a wide range of digital modes of visualisation, as well as fabrication, that tend towards simulation rather than representation. Is architectural drawing rendered redundant in this proliferation of digital renderings? And,… Read More
Jessie Brennan
4 January 2017
Jessie Brennan4 January 2017
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Thomas: Aitchison / Prendergast
30 December 2016
Thomas: Aitchison / Prendergast30 December 2016
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Black Airground
23 December 2016
Black Airground23 December 2016
For Black Airground the artists – Jeffrey Shaw, Theo Botschuijver and Sean Wellesley-Miller – positioned three black military surplus parachutes in a row on the floor of the gallery in the Oxford Museum of Art, entirely filling the exhibition space. Weighted around their rims with sand, these parachutes were continuously inflated with… Read More
Deanna Petherbridge
28 November 2016
Deanna Petherbridge28 November 2016
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Alexander Brodsky
15 October 2016
Alexander Brodsky15 October 2016
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Seven Farmyards
22 April 2016
Seven Farmyards22 April 2016
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Constant’s New Babylon
3 September 2015
Constant’s New Babylon3 September 2015
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Five Boxes
10 June 2015
Five Boxes10 June 2015
Line drawing — drawing without shading, cross-hatching or chiaroscuro — permits and conveys the most precise sense of accuracy of any kind of drawing. The facts are laid bare, nothing can be fudged or obscured. Leonardo used line drawing for his studies of everything from flying machines to the human… Read More
A Glasgow Effect
17 July 2020
A Glasgow Effect17 July 2020
– Paul Stallan
I draw and make dens to counter the weather of Scotland and the urban dislocation that I experienced from growing up in Glasgow, a city that suffered disproportionately from devastating post-war planning policy and the imposition of industrial modern architecture. The consequences of this are described by the medical term… Read More
art practice landscape urban form