Tag: civic & municipal

Delirious NY: New Welfare Island

Delirious NY: New Welfare Island

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

Gallaratese & Fagnano Olona

Gallaratese & Fagnano Olona

Aldo Rossi

Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More

L’Invasion de la Viande

L’Invasion de la Viande

Elie Delamare-Debouteville

As part of an imagined intervention in the subterranean spaces of the redeveloped Les Halles, Jean Criton’s project describes the new Metro station invaded, in a sinister process of parthenogenesis, by the meat from the Pavillon de la Boucherie, which had stood on the site until its controversial demolition eight… Read More

The Decline of Architectural Drawing

The Decline of Architectural Drawing

C. H. Smith

The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More

Charles Barry: Good and Bad Manners in Architecture

Charles Barry: Good and Bad Manners in Architecture

David Blissett

Architectural manners are […] known by a quality which money cannot buy, and which can le­nd distinction not only to the greatest building but to the smallest. T. A. Edwards, Good and Bad Manners in Architecture, 1924, Preface, vi. There is often an elegance in architectural simplicity that goes unrecognised… Read More

Postcard from Nowhere (Counterswimming)

Postcard from Nowhere (Counterswimming)

Teresa Stoppani

Sixteen swim in synchrony. Bright red trunks, blue swim caps, in a perfectly choreographed 4 x 4 grid of bodies in motion. They swim in the shallow pale blue pool that contains them, as it floats in the ocean. They are about to collide with a dock that is too… Read More

Yasmeen Lari: Drawn Closer

Yasmeen Lari: Drawn Closer

Helen Thomas

In 2005, earthquakes in northern Pakistan killed 80,000 people. This was an eye-opener for me, and I was drawn to work with these remote, impoverished mountain communities, to help to rebuild their lives. Having retired from conventional architectural practice, and this was something I’d never done before. Unlike NGOs offering… Read More

Colin Rowe: Piazza Augusto Imperatore

Colin Rowe: Piazza Augusto Imperatore

Colin Rowe

– Colin Rowe, 1995. Excerpted from Colin Rowe, As I Was Saying: Recollections and Miscellaneous Essays, ed. Alexander Caragonne (London: MIT Press, 1996).

Leto Litho Leningrad

Leto Litho Leningrad

William Firebrace

Joseph Brodsky, in his short essay ‘A Guide to a Renamed City’ (1979), wrote: The characteristic features of Leningraders are: bad teeth (because of lack of vitamins during the siege), clarity in pronunciation of sibilants, self-mockery, and a degree of haughtiness towards the rest of the country. Mentally this city… Read More

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Behind the Lines 14

Behind the Lines 14

Philippa Lewis

These are just insignificant sketches, but they remind me of the Exposition Internationale des Arts et Techniques in 1937; by night it was a unique experience – mémorable. You see, one theme of the exposition was light and water: an expression of what could be achieved with the power of modern electricity,… Read More

Basil Spence: Houses of Parliament

Basil Spence: Houses of Parliament

Sketch made by Sir Basil Spence at a meeting of the Royal Fine Art Commission in January 1969 to illustrate a scheme for enlarging the accommodation of MPs in the Houses of Parliament made by his assistant Christopher Libby.

A Dose of Dosio

A Dose of Dosio

Laura Harty

Tightening the belt, lean-manufacturing, ‘trimming the fat’. These are guiding principles of instrumentalised, technocratic systems termed by French sociologists as dégraissé – translated literally ‘degreased’ or ‘defatted’, but also figuratively understood as streamlined, purified and uncontaminated. [1] Instinctively, however, we know that flavour resides in fat. Thoughts of feasting, and midwinter delicacies, wallow… Read More

Aldo & Adolf

Aldo & Adolf

Aldo Rossi

And architecture itself? Architecture is still the central theme of Loos’s thought, and among his essays is a piece on the competition sponsored by the Chicago Tribune, a piece, which, like the one on the Michaelerhaus and ‘Ornament and Crime,’ is essential to the understanding of the meaning of architecture. This… Read More

Adolphe Appia: ‘Luminous – Very Luminous’

Adolphe Appia: ‘Luminous – Very Luminous’

Ross Anderson

I. In a melancholy mood, the Swiss scenographer Adolphe Appia sat down at his drawing table in the little bed-sit he was renting in Geneva and took up his pencil and a little hardbound notebook to write down his ‘notes personelles / 1905’: ‘At my age, that of forty-three, I… Read More

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

Maurizio Diton

Aldo made this drawing when the Bonnefanten Museum in Maastricht was already realised. I would say that it is typical for the kind of drawing he would make when he was bored, done with the first pencil and sheet of paper to hand. It is a drawing that already evokes… Read More

Tales from the crypt

Tales from the crypt

Stephen Bayley

The great mysteries are not the invisible things, but the visible ones. And to me, it is a great and fascinating mystery that the same architect, Giles Gilbert Scott, designed one of the world’s most awe-inspiring large buildings and one of its most exquisite small ones: Liverpool’s Anglican Cathedral and… Read More

Geoffrey Goes to Basildon

Geoffrey Goes to Basildon

Gillian Darley

Charley in New Town is the peerless Halas and Batchelor film made for the government’s Central Office of Information in 1948, offering a utopian vision of new town living to the dazed postwar urban public. There is something of Charley, pedalling around the streets of the immaculately clean, smoke-free, Neo-Garden City,… Read More

Harvey Wiley Corbett on Architectural Models of Cardboard

Harvey Wiley Corbett on Architectural Models of Cardboard

Between April and August 1922 the American journal Pencil Points printed a four-part series by the architect Harvey Wiley Corbett on architectural models that were made of cardboard. According to Corbett, cardboard was a medium for modern times, providing an economical and labour-saving way for the architect to produce models for study… Read More

Stan Allen on drawing with Rafael Moneo, Madrid 1984

Stan Allen on drawing with Rafael Moneo, Madrid 1984

Stan Allen

I arrived in Rafael Moneo’s Madrid office in early 1984. I had graduated from Cooper Union two years earlier and spent 18 months working for Richard Meier in New York.  I met Moneo in 1978 when he was teaching at the Institute for Architecture and Urban Studies, but I don’t… Read More

Zaha Hadid: Post-its

Zaha Hadid: Post-its

Michael Wolfson

This is all Zaha’s hand. When she is drawing there is a directionality – you are looking from the top, at a plan, extruded or in perspective. These sketches are relatively preliminary but certainly not initial – they are too defined. She is developing a composition, but already thinking about… Read More

Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 1919

Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 1919

Tom de Paor

The drawing is thinking, the same mark used over and over, up and down, hurdling scales quickly, the pulled edge of the sheet mimics the line. There is one idea – on the right, closer up – a  study after or rehearsal for the three-quarter view bleached out from the… Read More

Zaha Hadid

Zaha Hadid

Desley Luscombe

When in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period, ‘What if fate had led her to… Read More

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Helen Thomas

This text is excerpted from Drawing Architecture (Phaidon, 2018) by Helen Thomas, which brings together over 250 drawings, with short narratives for each one about the circumstances in which they were made, the techniques used to produce them, and the realities that they were depicting.