Tag: exhibition

Venice Biennale, 1985

Venice Biennale, 1985

Dario Passi

The third edition of the Venice Biennale in 1985, ‘Progetto Venezia’, directed by Aldo Rossi, had two major themes: the priority given to the moment of planning and the comparison with the Venetian landscape. For the 1985 exhibition, architects were invited to display their designs for the ‘requalification or the… Read More

Philip Johnson on Mies

Philip Johnson on Mies

Philip Johnson

The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus an extraordinary lack of funds for proper presentation,… Read More

Staging Brancusi

Staging Brancusi

Sarah Handelman and Asli Çiçek

Sarah Handelman: When we started talking about your work in scenography almost a year before, you were in the middle of designing the Brancusi exhibition, which opened last October at BOZAR in Brussels. Since then I’ve been wanting to have a conversation with you about the kinds of stages that… Read More

Mies: The Horizon

Mies: The Horizon

Robin Evans

Perusing the slides I had taken of the reconstructed pavilion, I found it difficult to decide which way up they went — an artefact of photography, no doubt. Then I changed my mind. It was not an artefact of photography, but a property of the pavilion itself, a property of… Read More

Brook House

Brook House

Andrew Jones

There is no building that tells the social and aesthetic story of Park Lane better than Brook House. From its beginnings as a scrappy country lane (‘Tyburn Lane’) in the eighteenth century, Park Lane rose to become the millionaires’ row of the Victorian and Edwardian eras and went on in… Read More

Paul Robbrecht: Drawn Closer

Paul Robbrecht: Drawn Closer

Paul Robbrecht

Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More

Ruskin: Fairy Tales

Ruskin: Fairy Tales

John Ruskin

We all have a general and sufficient idea of imagination, and of its work with our hands and our hearts: we understand it, I suppose, as the imagining or picturing of new things in our thoughts; and we always show an involuntary respect for this power, wherever we can recognise… Read More

The Garden of Earthly Delights

The Garden of Earthly Delights

Hamed Khosravi

The essay is an excerpt from Gabriel Guevrekian: The Elusive Modernist, by Hamed Khosravi, published by Hatje Cantz. Pre-order through the publisher’s website or visiting www.guevrekian.org.

Aalto on Asplund

Aalto on Asplund

Alvar Aalto

Alvar Aalto, from an interview for the Swedish newspaper Åbo Underrättelser, May 22, 1930. Reprinted in Göran Schildt, ed., Alvar Aalto: Sketches, trans. Stuart Wrede (London: MIT Press, 1979), 16.

La Casa Della Falsita

La Casa Della Falsita

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Spaghetti with Meatballs

Spaghetti with Meatballs

Andreas von Foerster

I was born in Berlin in 1943 and came to the US in 1949 when my father got a position at the University of Illinois. I was interested in history, art and mathematics, so I studied architecture there. I interrupted my studies to work in an office in San Francisco… Read More

Cedric Price: The Evolving Image

Cedric Price: The Evolving Image

Cedric Price: The Evolving Image opened at the RIBA’s Heinz Gallery on 8 October 1975 and ran until 29 November. The exhibition was a drawings show of mostly unbuilt works and Price was at once the subject, designer and organiser. Writing in the Architects’ Journal, Sutherland Lyall, the journal’s building editor,… Read More

The Matter of Drawing

The Matter of Drawing

Freddie Phillipson

The Primitive Hut staggers into three dimensions. Wiry pen scribbles go technicolour, underground. A vermiculated arch becomes an intricately hollowed monolith. A coat of fur replaces the ragged edge where plaster gave way to brick. We are not in a hall of mirrors; instead we are looking at a group… Read More

Grandorge’s Pavilion

Grandorge’s Pavilion

David Grandorge

The timber pavilion shown in the film is being transported to its third incarnation, and from inside another shed to its second locale in Shatwell farmyard, where it will serve as a new temporary office for the Timber Frame Company Ltd. The TFC constructed the Peter Smithson Obelisk that has… Read More

Dara Birnbaum: Domestication and the Permutation of Interruption

Dara Birnbaum: Domestication and the Permutation of Interruption

Dara Birnbaum

My first experience with video art happened by chance. After obtaining an architecture degree from Carnegie-Mellon University, in Pittsburgh, I joined Lawrence Halprin & Associates, an architectural firm in San Francisco that specialised in the planning of urban spaces and then conveying, through varying means of visual communication, such ideas… Read More

Behind the Lines 10

Behind the Lines 10

Philippa Lewis

It was undoubtedly the doing of that ancient buffer Lutyens, Samuel Hardy reflected sourly, as he stared at the pages of the September 1932 issue of The Builder and saw an illustration of the winning entry. It showed Mr Edward H Banks of ‘Villa Desiré’, Downlands Road, Purley, Surrey’s awful concoction of… Read More

Zaha Hadid

Zaha Hadid

Desley Luscombe

When in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period, ‘What if fate had led her to… Read More

Theodore Conrad and Harvey Wiley Corbett

Theodore Conrad and Harvey Wiley Corbett

Jennifer Gray and Irene Sunwoo

The fragment of Theodore Conrad’s 1929 cardboard model of the Metropolitan Life Insurance Company tower designed by Harvey Wiley Corbett (1873–1954) — featured in the current exhibition Model Projections at the Arthur Ross Architecture Gallery at Columbia GSAPP — marks an early episode in the American model maker’s career and an experimental… Read More

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

On 1 October 1980, at the height of postmodernism, Luce van Rooy opened her gallery in Amsterdam, around the corner from the Stedelijk Museum. [1] In a recent interview van Rooy reflects on the history of the gallery: the idea – what she calls a gallery for ‘architecture and related… Read More

Michael Graves: Fargo-Moorehead Cultural Bridge

Michael Graves: Fargo-Moorehead Cultural Bridge

Jordan Kauffman

The Fargo-Moorhead Cultural Bridge is an unrealised project combining infrastructural and cultural programs: a vehicular bridge between two cities over the Red River, a performing arts building in Fargo, North Dakota, the Red River Valley heritage interpretive centre in Moorhead, Minnesota, and at the centre over the river itself, an… Read More

Hugh Strange Architects

Hugh Strange Architects

We worked on the design of the Drawing Matter Archive in Somerset from September 2011 through to completion of the building in February 2014, providing a building of two halves with a studio space for day-to-day working and an adjacent space for the storage and occasional display of the clients’… Read More

Artists at Work

Artists at Work

Deanna Petherbridge

I recently had the pleasure of jointly selecting a group of drawings from the Katrin Bellinger collection for the exhibition Artists at Work at the Courtauld Gallery, London (3 May to 15 July 2018). The title is generically applied to her focused collection of paintings, drawings, prints and photographs concerned with artists’… Read More

Riet Eeckhout

Riet Eeckhout

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The façade is the window to the soul of architecture: Venice Architecture Biennale, 2018

The façade is the window to the soul of architecture: Venice Architecture Biennale, 2018

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