Tag: exhibition design
Philip Johnson on Mies
25 June 2020
Philip Johnson on Mies25 June 2020
The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus an extraordinary lack of funds for proper presentation,… Read More
Staging Brancusi
15 June 2020
Staging Brancusi15 June 2020
– Sarah Handelman and Asli Çiçek
Sarah Handelman: When we started talking about your work in scenography almost a year before, you were in the middle of designing the Brancusi exhibition, which opened last October at BOZAR in Brussels. Since then I’ve been wanting to have a conversation with you about the kinds of stages that… Read More
Mies: The Horizon
14 June 2020
Mies: The Horizon14 June 2020
Perusing the slides I had taken of the reconstructed pavilion, I found it difficult to decide which way up they went — an artefact of photography, no doubt. Then I changed my mind. It was not an artefact of photography, but a property of the pavilion itself, a property of… Read More
Paul Robbrecht: Drawn Closer
12 May 2020
Paul Robbrecht: Drawn Closer12 May 2020
Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More
Aalto on Asplund
9 March 2020
Aalto on Asplund9 March 2020
Alvar Aalto, from an interview for the Swedish newspaper Åbo Underrättelser, May 22, 1930. Reprinted in Göran Schildt, ed., Alvar Aalto: Sketches, trans. Stuart Wrede (London: MIT Press, 1979), 16.
Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 1919
9 February 2019
Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 19199 February 2019
The drawing is thinking, the same mark used over and over, up and down, hurdling scales quickly, the pulled edge of the sheet mimics the line. There is one idea – on the right, closer up – a study after or rehearsal for the three-quarter view bleached out from the… Read More
Zaha Hadid
27 November 2018
Zaha Hadid27 November 2018
When in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period, ‘What if fate had led her to… Read More
Empathy
8 May 2018
Empathy8 May 2018
Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More
Black Airground
23 December 2016
Black Airground23 December 2016
For Black Airground the artists – Jeffrey Shaw, Theo Botschuijver and Sean Wellesley-Miller – positioned three black military surplus parachutes in a row on the floor of the gallery in the Oxford Museum of Art, entirely filling the exhibition space. Weighted around their rims with sand, these parachutes were continuously inflated with… Read More
Paul Robbrecht
2 November 2016
Paul Robbrecht2 November 2016
Watercolour is not the traditional medium one associates with architectural plans, particularly those that are realised in built form. I believe this is what caught my eye while searching for a drawing by Walter Pichler and instead discovered a portfolio of drawings by Paul Robbrecht. Aue Paviljoenen project B depicts… Read More
Work on Paper, part IV: Displaced persons
3 October 2012
Work on Paper, part IV: Displaced persons3 October 2012
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Cedric Price: The Evolving Image
3 October 2019
Cedric Price: The Evolving Image3 October 2019
Cedric Price: The Evolving Image opened at the RIBA’s Heinz Gallery on 8 October 1975 and ran until 29 November. The exhibition was a drawings show of mostly unbuilt works and Price was at once the subject, designer and organiser. Writing in the Architects’ Journal, Sutherland Lyall, the journal’s building editor,… Read More
exhibition exhibition design