Tag: presentation

Charles de Wailly

Charles de Wailly

The high level of ornamental detail and the conspicuously novel elements of stove and fountain suggest that this drawing may have been among those exhibition-drawings that de Wailly sent to the Paris Salon from 1771 onwards, the year he was controversially admitted to the Royal Academy of Painting and Sculpture.… Read More

François-Joseph Bélanger

François-Joseph Bélanger

Olivia Edmondson

This drawing is one of more than twenty alternative designs for a room in the Paris mansion built for Anne-Victoire Dervieux opera dancer and, from 1794, the architect and designer Bélanger’s wife. Bélanger imagines for Dervieux a scheme of ‘Etruscan’ arabesques loosely inspired by the archaeological excavations at Herculaneum and… Read More

The Imperial Palace of God

The Imperial Palace of God

George Elliot

Inscribed by the artist: DEDICATED TO THE WORLD. THIS MAGNIFICENT ARCHITECTURAL, PERSPECTIVE VIEW, OF THE SECOND DIVISION, OF THE IMPERIAL PALACE OF GOD. IMPERIAL CROWN. EDUCATION FOR THE PEOPLE. GEORGE ELLIOT. EMPEROR OF THE WORLD. THE TRUE AND LAWFUL GOD. GEORGE THE 5, KING OF GREAT BRITAIN. SON OF THE… Read More

Seven Farmyards

Seven Farmyards

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Robert Mylne

Robert Mylne

Robert Adam

There are two sons of Deacon Mylne’s in Rome at present, studying architecture. One of them had studied in France and has accordingly that abominable taste to perfection: the other, who came straight from Scotland, has made great progress and begins to draw extremely well, so that if he goes… Read More

Peter Eisenman on Aldo Rossi

Peter Eisenman on Aldo Rossi

Peter Eisenman

The architectural drawing, formerly thought of exclusively as a form of representation, now becomes the locus of another reality. It is not only the site of illusion, as it has been traditionally, but also a real place of the suspended time of both life and death. Its reality is neither… Read More

Adolfo Natalini: On Drawing

Adolfo Natalini: On Drawing

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Rem Koolhaas: EuroDisney

Rem Koolhaas: EuroDisney

Looking up toward a glass ceiling, the drawing shows the atrium of this luxury hotel – a ‘bridge’, which was to connect an island to a park creating a sequence of flowing, layered landscapes both inside and outside. Using sinuous forms, rising to a view of the sky, Koolhaas turns… Read More

Becoming One with the Landscape

Becoming One with the Landscape

The architect’s guiding idea has been to create a building which would ‘literally tend to disappear – becoming one with the landscape’ … The dramatic architectural concept and primarily coniferous flora of the landscape were especially compatible to a crisp execution in ink line.

Henri Labrouste

Henri Labrouste

Barry Bergdoll

In 1840 Labrouste plays an essential role in a political spectacle in which the stakes are high for the faltering regime of Louis Philippe: the return of Napoleon’s ashes that will be buried in the church of Les Invalides. With Louis Visconti, Labrouste is invited to extend the connection of… Read More

A Lung for the City

A Lung for the City

Cedric Price

A lung for the city. A 24-hour workshop where all can extend their knowledge and delight in learning. From its start and throughout its construction and development, all must be welcomed to observe its continuous growth and change. No area should be hidden and no hour inappropriate. The opportunity to… Read More

Ville Spatiale

Ville Spatiale

Yona Friedman

The ‘spatial city’, or rather its infrastructure, is the support for a great number of heterogeneous messages. The spatial city, in a way, is the ‘blank sheet of paper’ on which a work is drawn. And it is precisely this nature of the blank sheet of paper that allows nearly… Read More

John Hejduk

John Hejduk

John Hejduk

I believe in books and the written word, therefore I fabricate works with the hope that they will be recorded in books. I am pragmatic and believe in keeping records. I believe to record is to bear witness. Quoted from Such Places as Memory, 1998

Pier Vittorio Aureli

Pier Vittorio Aureli

Pier Vittorio Aureli

The Marriage of Reason and Squalor is a set of drawings I’ve produced since 2001. They are an investigation into what, in the absence of a better definition, I’ve called ‘non-compositional architecture’. Since the very beginning, I’ve conceived of these drawings as something to be executed by the simplest of means,… Read More

Buckminster Fuller

Buckminster Fuller

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Jean-Baptiste Lassus

Jean-Baptiste Lassus

The watercolour of the Sainte-Chapelle drawn by Lassus dates from the first years of the restoration, when the desire to restore the monument to its original thirteenth-century form was still very strong. The chapel is shown without its fifteenth-century flamboyant rose window and its exterior staircase built by Louis XII,… Read More

Ugo la Pietra

Ugo la Pietra

Ugo La Pietra

Isolation or participation? The immersions were allusions to two contrary attitudes ever present in the deportment of so many in this era: a readiness to join the currents of social change or a determination to isolate oneself, waiting for what might be next. 

Preamble to a New World

Preamble to a New World

Constant

Stones speak. Towns speak. Ruins and skylines: the story of the people. From ‘Preamble to a New World,’ New Babylon, 1963.

Paul Rudolph

Paul Rudolph

Paul Rudolph

I try to find a graphic means of indicating what’s happening to the space. Space can move quickly or slowly. It can twist and turn. Space extends the dynamics of any building, because if the thrusting and counter-thrusting of the spaces aren’t balanced, then people feel unstable, the building doesn’t… Read More

John Lautner

John Lautner

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History & Origins

History & Origins

Aldo Rossi

And these old drawings […] now have their own history, an almost enforced form of composition. And yet I wonder at the fact that they are the origin or germ of these new architectural works, which others could regard as more professional. In actual fact, invention and imagination have deeper… Read More

Le Corbusier

Le Corbusier

Le Corbusier

I should like to give you the hatred of rendering … Architecture is in space, in extent, in depth, in height: it is volumes and circulation. Architecture is made inside one’s head. The sheet of paper is useful only to fix the design, to transmit to one’s client and one’s… Read More

Five Boxes

Five Boxes

Michael Craig-Martin

Line drawing — drawing without shading, cross-hatching or chiaroscuro — permits and conveys the most precise sense of accuracy of any kind of drawing. The facts are laid bare, nothing can be fudged or obscured. Leonardo used line drawing for his studies of everything from flying machines to the human… Read More

François Soufflot le Romain

François Soufflot le Romain

This drawing, commissioned by Jacques-Germain Soufflot from his nephew in Rome, for presentation to his colleagues at the Académie Française, vindicates the revolutionary structural principles on which his own church of St Geneviève was then being slowly constructed in Paris. It does this by establishing a direct comparison with the… Read More