Tag: record
OMA in Scheveningen
22 July 2020
OMA in Scheveningen22 July 2020
Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More
Stirling at Stuttgart: Rear View / Up Views
15 June 2020
Stirling at Stuttgart: Rear View / Up Views15 June 2020
Rear Views I joined the Stirling office in September 1976, working late hours through the length of four years until my return to Dublin towards the end of 1980. Straight out of college and into my first proper job, the critical years in my formation as an architect. I had… Read More
Ink on his Hands: Montano’s Visceral Roman Architectures
18 May 2020
Ink on his Hands: Montano’s Visceral Roman Architectures18 May 2020
When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More
O’Donnell + Tuomey in Conversation
8 May 2020
O’Donnell + Tuomey in Conversation8 May 2020
– Sheila O'Donnell and John Tuomey
John Tuomey: Let me tell you the story of this drawing. We were at one of those despairing moments when we were putting together our book Space for Architecture and feeling that we had never achieved anything of any substance. We didn’t have a lot of work going at that particular moment,… Read More
The San Cataldo Ossuary in the Age of Hyper-Objects
16 April 2020
The San Cataldo Ossuary in the Age of Hyper-Objects16 April 2020
I An abandoned house – a derelict phantom with no roof and no windows – reveals the twofold condition of architecture as image and as form. In San Cataldo, the image and form of death. As image: from afar, a metaphysical de Chirican presence, suspended between Adolf Loos’s project in… Read More
Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building
6 March 2020
Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building6 March 2020
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library
7 February 2020
Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library7 February 2020
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
Aldo & Adolf
13 December 2019
Aldo & Adolf13 December 2019
And architecture itself? Architecture is still the central theme of Loos’s thought, and among his essays is a piece on the competition sponsored by the Chicago Tribune, a piece, which, like the one on the Michaelerhaus and ‘Ornament and Crime,’ is essential to the understanding of the meaning of architecture. This… Read More
Stan Allen on drawing with Rafael Moneo, Madrid 1984
14 March 2019
Stan Allen on drawing with Rafael Moneo, Madrid 198414 March 2019
I arrived in Rafael Moneo’s Madrid office in early 1984. I had graduated from Cooper Union two years earlier and spent 18 months working for Richard Meier in New York. I met Moneo in 1978 when he was teaching at the Institute for Architecture and Urban Studies, but I don’t… Read More
Fred Scott: On Gowan Stirling
1 March 2019
Fred Scott: On Gowan Stirling1 March 2019
This odd-shaped, yellowed analysis drawing by James Gowan, drawn directly onto heavy paper isn’t dated, and was probably added to years after the drawing was nearly complete. Ellis Woodman describes the drawing as ‘that drawing that James always kept in the box with his sketchbooks’. Unusually, when I first saw… Read More
Hugh Strange Architects
2 October 2018
Hugh Strange Architects2 October 2018
We worked on the design of the Drawing Matter Archive in Somerset from September 2011 through to completion of the building in February 2014, providing a building of two halves with a studio space for day-to-day working and an adjacent space for the storage and occasional display of the clients’… Read More
Netherfield Scroll Two
28 August 2018
Netherfield Scroll Two28 August 2018
What follows here forms the second part of a two-part conversation. It has been extracted from the original email exchange between Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones in relation to the acquisition of the Netherfield Scroll, published in part one. The Netherfield Scroll – which measures 20… Read More
Mark Ericson
30 July 2018
Mark Ericson30 July 2018
This drawing is part of a series that interrogates the orthographic drawing techniques of Guarino Guarini (1624–1683) set out in his posthumous treatise, Architettura civile, (1737). While some of the drawings from the series deal with the direct documentation of his orthographic drawings, this particular drawing translates his written and drawn instructions… Read More
Elizabeth Hatz
18 April 2017
Elizabeth Hatz18 April 2017
Permanence – drawing as adjuration (incantation) If architecture, like art, is a way of asking forgiveness for being mortal (consider the Egyptians or Etruscans), making something last long after the last sigh of its author and searching for a form of permanence, transcending the most ephemeral moment, then the architectural… Read More
Conen Sigl Architekten
9 April 2017
Conen Sigl Architekten9 April 2017
A drawing made in retrospect is the opposite of a sketch made at the beginning of the design process, which is an incomplete kind of searching for a way to order and compose the constitutive elements. This kind of ‘drawing made afterwards’ is much more about bringing all the principal… Read More
GOWAN DMC (SB6)
28 March 2017
GOWAN DMC (SB6)28 March 2017
Sorry… this page has not yet been transferred to our new website. Check again soon.
Ellis: James Gowan
2 March 2017
Ellis: James Gowan2 March 2017
While typically, the architect employs the sketchbook as a raft by which to navigate the relentless flow of day-to-day practice, those that James Gowan assembled, across the course of his long professional life, served as a more elevated and leisurely mode of transport. Questions that he was addressing in the… Read More
Pan Scroll Zoom 2
1 September 2020
Pan Scroll Zoom 21 September 2020
– Ricardo Flores, Fabrizio Gallanti and Eva Prats
This is the second in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Ricardo Flores and Eva Prats of the Barcelona-based practice,… Read More
housing Pan Scroll Zoom (series) record social engagement Teaching (project) topographic/cartographic urban form