Tag: theatre
Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 1919
9 February 2019
Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 19199 February 2019
The drawing is thinking, the same mark used over and over, up and down, hurdling scales quickly, the pulled edge of the sheet mimics the line. There is one idea – on the right, closer up – a study after or rehearsal for the three-quarter view bleached out from the… Read More
Behind the Lines 6
13 August 2018
Behind the Lines 613 August 2018
Richard Bentley cracked open the red seal, smiling as he always did at the peculiar crest of a man in a ridiculous long-tasselled hat, and folded out the letter. His mood was anxious; he scratched his head nervously with one hand and knocked over the ink on his drawing table with… Read More
Toyo Ito & Associates, Architects
6 July 2018
Toyo Ito & Associates, Architects6 July 2018
Sorry… this page has not yet been transferred to our new website. Check again soon.
Jørn Utzon’s Sydney Opera House
26 April 2018
Jørn Utzon’s Sydney Opera House26 April 2018
Somebody said the story about the orange is not right, but it is: he sent one of us over to the shop to buy an orange and he peeled it and took up the segments. Mogens Prip-Buus on Jørn Utzon and the Sydney Opera House
Herzog & de Meuron
23 February 2018
Herzog & de Meuron23 February 2018
A pair of drawings – a plan and a still image from a digital model – act like X-rays revealing the hidden forces at play in a complex project that brings together public and private uses including concert halls, plazas, restaurants, hotel functions, and residences, all in one building. The… Read More
Alvar Aalto
1 November 2017
Alvar Aalto1 November 2017
For whatever reason it is produced, a blueprint solidifies a moment in the design process and further solidifies the project. It is not necessarily the final moment, and often after the blueprints have been produced they might be annotated by one or the other master, resulting in new drawings from… Read More
Ferdinando Galli Bibiena
19 May 2017
Ferdinando Galli Bibiena19 May 2017
When, in the two-point perspective drawings of Ferdinando Galli Bibiena, the viewer’s line of sight ricocheted off the centre and shot in opposite directions off stage, a new prospect of social and architectural order was proposed. For the century preceding the work of the brothers – Antonio, Giuseppe, and Ferdinando… Read More
Galli da Bibiena
10 March 2017
Galli da Bibiena10 March 2017
In 1732, renowned architect and painter Ferdinando Galli da Bibiena published a meticulously compiled document illustrating a theory of perspective for the specific use of the architect and the painter. The book was intended for the students of Bologna’s Accademia Clementina (currently the city’s Academy of Fine Arts) and had… Read More
Mogens Prip-Buus: Utzon
3 March 2017
Mogens Prip-Buus: Utzon3 March 2017
I had been working from late 1956 to 1957 with Vilhelm Wohlert on the schemes of Louisiana and the summerhouse for Niels Bohr, and suddenly there was no more work. Wohlert, who knew all my weaknesses (he had been my teacher in my fifth year at school) advised me to… Read More
A Civic Utopia Exhibition
8 October 2016
A Civic Utopia Exhibition8 October 2016
Sorry… this page has not yet been transferred to our new website. Check again soon.
Work on Paper: Future Scenarios, Part III
3 June 2013
Work on Paper: Future Scenarios, Part III3 June 2013
Sorry… this page has not yet been transferred to our new website. Check again soon.
Work on Paper: Future Scenarios, Part I
30 May 2013
Work on Paper: Future Scenarios, Part I30 May 2013
Sorry… this page has not yet been transferred to our new website. Check again soon.
Work on Paper, part IV: Displaced persons
3 October 2012
Work on Paper, part IV: Displaced persons3 October 2012
Sorry… this page has not yet been transferred to our new website. Check again soon.
Dance Dance Revolution
30 December 2018
Dance Dance Revolution30 December 2018
– Iris Moon
In 1788, the art theorist and critic Quatremère de Quincy devoted a long entry of the Encyclopédie méthodique to the arabesque, ‘forms of ornament that are often the most capricious, fantastical, and imaginary, whether in sculpture or painting, that architecture employs in the decoration of walls, panels, door-frames, pilasters, friezes, and sometimes even… Read More
domestic elevation presentation theatre