Tag: theoretical & imaginary

Catrina Beevor

Catrina Beevor

Catrina Beevor

These drawings from 1987 formed part of NATØ’s Heathrow Airport project, exhibited in The British Edge show at the ICA Boston, USA, in the same year. The proposal (in the first drawing) shows an Arrivals landscape spectacularised by indoctrination booths: cricket, the NHS, weather, accents… In the middle distance (depicted… Read More

Olsberg: Gordon Matta-Clark

Olsberg: Gordon Matta-Clark

Nicholas Olsberg

During a poetry reading at St Mark’s Church in the East Village of New York in 1973 Gordon Matta-Clark announced that he would draw on a roll of butcher paper an account of the history of architecture with a single long stroke of the pen. At the conclusion he would… Read More

Jungmann: L’art tue

Jungmann: L’art tue

Jean-Paul Jungmann

L’ART TUE [Art Kills] L’ART TUE was the the name of a poster project, most likely between 1975 and 1976. It followed the theoretical and literary Groupe Utopie [Utopia Group] adventure and their publications between 1966 and 1969, and after the Aerolande development work which lasted until 1975. However, it came… Read More

Peter Wilson: A Public Convenience Remembered

Peter Wilson: A Public Convenience Remembered

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Alexander Brodsky

Alexander Brodsky

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Pier Vittorio Aureli

Pier Vittorio Aureli

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Mies van der Rohe: Neue Stadt

Mies van der Rohe: Neue Stadt

Markus Lähteenmäki

In the photographs most often reproduced of the Glass Skyscraper by Ludwig Mies van der Rohe, the tower stands in the middle of a clay model of an old city. The model acts as a presentation of an imagined reality, of what it might be when built. The beacon of… Read More

Friedensreich Hundertwasser

Friedensreich Hundertwasser

Helen Thomas

Hauteurs de Macchu-Picchu, or the Heights of Macchu Picchu is a poem by Pablo Neruda written in 1945 that embraces a visit he made to the site in Peru, and includes within it a critique of modern life. The mountainous location is echoed in the form of this pile of… Read More

The Imperial Palace of God

The Imperial Palace of God

George Elliot

Inscribed by the artist: DEDICATED TO THE WORLD. THIS MAGNIFICENT ARCHITECTURAL, PERSPECTIVE VIEW, OF THE SECOND DIVISION, OF THE IMPERIAL PALACE OF GOD. IMPERIAL CROWN. EDUCATION FOR THE PEOPLE. GEORGE ELLIOT. EMPEROR OF THE WORLD. THE TRUE AND LAWFUL GOD. GEORGE THE 5, KING OF GREAT BRITAIN. SON OF THE… Read More

The Continuous Monument

The Continuous Monument

Adolfo Natalini

My sketchbooks show a really typical project called the Continuous Monument. The Monument was a demonstration of the falsity and the absurdity of some of the theories that went on in that period. We started producing images of this sort of continuous monument, the continuous strip of urbanisation which was… Read More

John Hejduk

John Hejduk

John Hejduk

I believe in books and the written word, therefore I fabricate works with the hope that they will be recorded in books. I am pragmatic and believe in keeping records. I believe to record is to bear witness. Quoted from Such Places as Memory, 1998

Archizoom, Andrea Branzi and the No-Stop City

Archizoom, Andrea Branzi and the No-Stop City

Andrea Branzi

Archizoom describe this ‘hypothetical theatre’ as part of a fluid and unstoppable culture, a non-stop metropolis re-imagined to fit the times, characterised by mobile theatres, unbound books, rooms without plan, unwritten music, … and cities made of voids. For the first time the presentation technique has … become a specific… Read More

Battleground

Battleground

James Gowan

To some extent this is the battleground of the British architectural avant-garde; the incompatibilities of graphics and architecture, the freedom that the former allows and the restrictions that the latter asserts. In recent years, the graphics have got smoother whilst the dialectic has remained largely unresolved. A conclusive project is… Read More

Dismantled Sketchbook

Dismantled Sketchbook

James Gowan

To some extent this is the battle-ground of the British architectural avant-garde; the incompatibilities of graphics and architecture, the freedom that the former allows and the restrictions that the latter asserts. In recent years, the graphics have got smoother whilst the dialectic has remained largely unresolved. A conclusive project is… Read More

Walter Pichler

Walter Pichler

Walter Pichler

Architecture … is a brutal matter … it crushes those who cannot stand it. Quoted from a manuscript statement, c. 1962

Pier Vittorio Aureli

Pier Vittorio Aureli

Pier Vittorio Aureli

The Marriage of Reason and Squalor is a set of drawings I’ve produced since 2001. They are an investigation into what, in the absence of a better definition, I’ve called ‘non-compositional architecture’. Since the very beginning, I’ve conceived of these drawings as something to be executed by the simplest of means,… Read More

Ugo la Pietra

Ugo la Pietra

Ugo La Pietra

Isolation or participation? The immersions were allusions to two contrary attitudes ever present in the deportment of so many in this era: a readiness to join the currents of social change or a determination to isolate oneself, waiting for what might be next. 

Preamble to a New World

Preamble to a New World

Constant

Stones speak. Towns speak. Ruins and skylines: the story of the people. From ‘Preamble to a New World,’ New Babylon, 1963.

Constant’s New Babylon

Constant’s New Babylon

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Paul Rudolph

Paul Rudolph

Paul Rudolph

I try to find a graphic means of indicating what’s happening to the space. Space can move quickly or slowly. It can twist and turn. Space extends the dynamics of any building, because if the thrusting and counter-thrusting of the spaces aren’t balanced, then people feel unstable, the building doesn’t… Read More

History & Origins

History & Origins

Aldo Rossi

And these old drawings […] now have their own history, an almost enforced form of composition. And yet I wonder at the fact that they are the origin or germ of these new architectural works, which others could regard as more professional. In actual fact, invention and imagination have deeper… Read More

Work on Paper: Future Scenarios, Part III

Work on Paper: Future Scenarios, Part III

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Work on Paper: Future Scenarios, Part I

Work on Paper: Future Scenarios, Part I

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Simplification

Simplification

Niall Hobhouse and Nicholas Olsberg

The first of these short excursions into work on paper looked at how drawings were used to place built forms in their settings. Grounded in traditions of illustration, they were spacious, suggestive and pictorial. Architects draw to many purposes. In Part II, on Simplification, we turn from the arts of… Read More