Writer: Nicholas Olsberg
Wright & Lautner: The Divorce
12 May 2020
Wright & Lautner: The Divorce12 May 2020
Wright’s Eaglefeather (1941) – hilltop Malibu extravaganza for the filmmaker Arch Oboler – was running into trouble. Lloyd Wright, Frank Lloyd Wright’s son, oversaw construction drawings and supervision, but Lloyd was fired by Oboler in March 1941. Wright came to Los Angeles and arranged for Lautner to complete the project… Read More
Commonplace
12 November 2018
Commonplace12 November 2018
In 1877, London’s Building News reprinted – as the ‘work of two eminent architects, though it cannot be said to be their joint production’ – an elevation, plan, and partial section published by Eugène Viollet-le-Duc as a model town house, noting that this supposed ‘London Residence’ had been adapted – with due… Read More
Bruce Goff
20 October 2018
Bruce Goff20 October 2018
This is an unbuilt house and studio project for two artists in the dry country of west Texas. It comes from a happy moment when architects could see no equation between the unreasonable and the unbuildable. Bruce Goff christened it APARTURE, perhaps a play on the words ‘apartness’, for its… Read More
Richard J. Neutra
10 August 2018
Richard J. Neutra10 August 2018
‘Richard J. Neutra has carried on the Wagner tradition of experimentation in new forms, materials and methods of construction… an impetus to the intelligent solution of new problems.’ Ernestine M. Fantl on the Corona Avenue School, ‘Modern Architecture in California’ (Typescript Mimeograph, MoMA Archives, 1935) Just before 6 o’clock on… Read More
A Fragment of Wright’s Great City
16 July 2018
A Fragment of Wright’s Great City16 July 2018
Wright, Wagner and the Idea of the Great City We become greater in service to the general effect, more harmonious as part of the whole.– Frank Lloyd Wright, ‘To my European Co-Workers’, 1925 ‘I came upon the Secession during the winter of 1910,’ Wright wrote in An Autobiography, noting with great… Read More
William Butterfield
6 December 2017
William Butterfield6 December 2017
Nothing Permitted But What Has Been Foreseen William Butterfield eschewed the illustrative perspective, preferring instead to develop even his studies as contract drawings that would serve three tasks: as presentations through which a project could be comprehended, as instructions from which his contractors and clients could not swerve, and as… Read More
Herbert Matter
27 November 2017
Herbert Matter27 November 2017
This is the work of the Swiss photographer and designer Herbert Matter, who after a short career in New York had moved to California in 1943 with his wife, the American painter and art critic Mercedes Carles. Both were friends and associates of Fernand Leger, with whom Herbert had been… Read More
Olsberg: Gordon Matta-Clark
19 January 2017
Olsberg: Gordon Matta-Clark19 January 2017
During a poetry reading at St Mark’s Church in the East Village of New York in 1973 Gordon Matta-Clark announced that he would draw on a roll of butcher paper an account of the history of architecture with a single long stroke of the pen. At the conclusion he would… Read More
Richard J. Neutra: Visitor Center at Gettysburg National Park
22 August 2016
Richard J. Neutra: Visitor Center at Gettysburg National Park22 August 2016
In 1941, the US National Park Service acquired one of numerous versions of a 360-degree cyclorama, an in-the-round painting of the turning point in the great rebellion against the American union at Gettysburg in July 1863. First painted 20 years after the battle, the panels filled a drum 80 feet… Read More
The Stones of John Ruskin
1 August 2016
The Stones of John Ruskin1 August 2016
– Nicholas Olsberg and John Ruskin
What follows is a selection from the collection of minerals given to and arranged for St. David’s School, Reigate, by John Ruskin, who prepared a full printed Catalogue of the Collection of Siliceous Minerals, dated 1883. The collection is still largely intact. Stones were important to Ruskin’s view of architecture.… Read More
Erik Gunnar Asplund
14 August 2015
Erik Gunnar Asplund14 August 2015
Erik Gunnar Asplund’s son Ingemar told me that their father would pick him and his brother Hans up on Sundays to take them to the summer house. (He was then living with a woman other than their mother.) Father would make a little conversation as they made their way to… Read More
Work on Paper: The changing metropolis 1940s–1980s
29 November 2013
Work on Paper: The changing metropolis 1940s–1980s29 November 2013
– Niall Hobhouse and Nicholas Olsberg
Part III: Monumentalism and motion 1940s –1980s A night rendering, making cinematic use of the dynamics of movement to suggest modernity, appears in the émigré architect Vassilieve’s ideal Manhattan, his animated drawing technique demonstrating how the varied shelves and openings of a setback megablock scheme bring energy and momentum, light… Read More
Work on Paper: The changing metropolis 1815–1900
27 November 2013
Work on Paper: The changing metropolis 1815–190027 November 2013
– Niall Hobhouse and Nicholas Olsberg
Part I: Shifting scales and structures The transformation of the modern metropolis is not so much about expanding urban mats and changing topographic patterns as about how architects responded, structure by structure and type by type, to the shifting scales, capacities and ways of working that the city demanded of… Read More
Architectural anxiety
28 September 2011
Architectural anxiety28 September 2011
– Niall Hobhouse and Nicholas Olsberg
This instalment explores the rich pathologies of architectural anxiety: the nagging pressure of what architects know and admire, or have seen and rejected. Or of what it is in the work of other architects, and in their own past practice, which they are driven always to acknowledge in the buildings… Read More
Simplification
6 May 2011
Simplification6 May 2011
– Niall Hobhouse and Nicholas Olsberg
The first of these short excursions into work on paper looked at how drawings were used to place built forms in their settings. Grounded in traditions of illustration, they were spacious, suggestive and pictorial. Architects draw to many purposes. In Part II, on Simplification, we turn from the arts of… Read More
Landscape situations
21 January 2011
Landscape situations21 January 2011
– Niall Hobhouse and Nicholas Olsberg
Setting it out: making the landscape For Horace Walpole, William Kent was born with a genius to strike out a great system from the twilight of imperfect essays. “He leaped the fence, and saw that all nature was a garden.” With apparent innocence, the sketch Landscape in Wimbledon proposes only… Read More
Halsey Ricardo
22 June 2019
Halsey Ricardo22 June 2019
– Nicholas Olsberg
Early in 1916, RIBA president Halsey Ricardo reported on an acquisition that, when added to the works of Bibiena, Palladio, Jones and Wren, would begin to build a more continuous corpus of the drawn history of architecture. [1] This was a large set of sketchbooks and project drawings ‘from a… Read More
construction drawing detail plan section