Category: on their own work

Jungmann: L’art tue

Jungmann: L’art tue

Jean-Paul Jungmann

L’ART TUE [Art Kills] L’ART TUE was the the name of a poster project, most likely between 1975 and 1976. It followed the theoretical and literary Groupe Utopie [Utopia Group] adventure and their publications between 1966 and 1969, and after the Aerolande development work which lasted until 1975. However, it came… Read More

Caruso St John Architects

Caruso St John Architects

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Jessie Brennan

Jessie Brennan

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Peter Myers

Peter Myers

Peter Myers

It is a truism that aggressive building contractors treat architectural drawings with contempt; McAlpine’s were no exception and it being my temporary responsibility in 1969 to negotiate a procedure of actually constructing the visible fair faced in-situ concrete of this vast structure, I arrived at The Brunswick’s site office ready for a… Read More

Deanna Petherbridge

Deanna Petherbridge

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Peter Wilson: A Public Convenience Remembered

Peter Wilson: A Public Convenience Remembered

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The Black Drawings of Marie-José Van Hee

The Black Drawings of Marie-José Van Hee

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Auerbach: Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

Auerbach: Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

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Peter Salter

Peter Salter

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Casswell Bank Architects

Casswell Bank Architects

Alex Bank and Sam Casswell

The Garden Rooms academy drawing by Casswell Bank Architect’s is a depiction of the relationship between the new shed, the Maltings buildings and its gardens located at the western edge of Bruton. The drawing extends beyond the adjacent road connecting the town with the countryside and the river Brue that… Read More

Álvaro Siza on Drawing

Álvaro Siza on Drawing

Pier Vittorio Aureli

Pier Vittorio Aureli

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the Birth of the Column

the Birth of the Column

Álvaro Siza

You walk along the street with all its traffic and find yourself in front of the big archway. Through it you see the courtyard, which comes as a surprise. The scale is domestic rather than monumental, but the building’s façade – with its portico and columns, which are whiter than… Read More

Robert Mylne

Robert Mylne

Robert Adam

There are two sons of Deacon Mylne’s in Rome at present, studying architecture. One of them had studied in France and has accordingly that abominable taste to perfection: the other, who came straight from Scotland, has made great progress and begins to draw extremely well, so that if he goes… Read More

Peter Eisenman on Aldo Rossi

Peter Eisenman on Aldo Rossi

Peter Eisenman

The architectural drawing, formerly thought of exclusively as a form of representation, now becomes the locus of another reality. It is not only the site of illusion, as it has been traditionally, but also a real place of the suspended time of both life and death. Its reality is neither… Read More

Etudes des fragments d’architecture

Etudes des fragments d’architecture

Jean-Augustin Renard

L’ouvrage que je propose a pour objet d’offrir une image fidèle de ces fragments d’architectures que le temps qui détruit tout semble avoir respectés. Ce sont les seuls témoins qui nous restent de la magnificence des Grecs et des Romains. C’est parmi ces masses énormes de ruines, ces morceaus de… Read More

Hans Hollein: Everything is Architecture

Hans Hollein: Everything is Architecture

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Hans Hollein: Infinite Space

Hans Hollein: Infinite Space

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To Read A Drawing

To Read A Drawing

Peter Eisenman

What is it to read a drawing? Traditionally, we read writing and see drawing. But if we transgress that custom, then we accrue to drawing the privilege of the autonomy of the reader. If we limited ourselves to seeing drawings as drawings then there would be no possibility of unhooking… Read More

The Continuous Monument

The Continuous Monument

Adolfo Natalini

My sketchbooks show a really typical project called the Continuous Monument. The Monument was a demonstration of the falsity and the absurdity of some of the theories that went on in that period. We started producing images of this sort of continuous monument, the continuous strip of urbanisation which was… Read More

Adolfo Natalini: On Drawing

Adolfo Natalini: On Drawing

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Becoming One with the Landscape

Becoming One with the Landscape

The architect’s guiding idea has been to create a building which would ‘literally tend to disappear – becoming one with the landscape’ … The dramatic architectural concept and primarily coniferous flora of the landscape were especially compatible to a crisp execution in ink line.

Michael Webb: Sin Centre

Michael Webb: Sin Centre

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