Category: drawing histories

Charles de Wailly

Charles de Wailly

The high level of ornamental detail and the conspicuously novel elements of stove and fountain suggest that this drawing may have been among those exhibition-drawings that de Wailly sent to the Paris Salon from 1771 onwards, the year he was controversially admitted to the Royal Academy of Painting and Sculpture.… Read More

François-Joseph Bélanger

François-Joseph Bélanger

Olivia Edmondson

This drawing is one of more than twenty alternative designs for a room in the Paris mansion built for Anne-Victoire Dervieux opera dancer and, from 1794, the architect and designer Bélanger’s wife. Bélanger imagines for Dervieux a scheme of ‘Etruscan’ arabesques loosely inspired by the archaeological excavations at Herculaneum and… Read More

Work on Paper: Future Scenarios, Part II

Work on Paper: Future Scenarios, Part II

The Imperial Palace of God

The Imperial Palace of God

George Elliot

Inscribed by the artist: DEDICATED TO THE WORLD. THIS MAGNIFICENT ARCHITECTURAL, PERSPECTIVE VIEW, OF THE SECOND DIVISION, OF THE IMPERIAL PALACE OF GOD. IMPERIAL CROWN. EDUCATION FOR THE PEOPLE. GEORGE ELLIOT. EMPEROR OF THE WORLD. THE TRUE AND LAWFUL GOD. GEORGE THE 5, KING OF GREAT BRITAIN. SON OF THE… Read More

Ducros: Arch of Titus

Ducros: Arch of Titus

This drawing by the Swiss artist Abraham-Louis-Alphonse Ducros — a preliminary sketch with a deep perspectival view of the Arch of Titus in Rome, and inspired by Panini’s Arch of Titus, 1745 — is the basis for one of his standard images, a definitive view of Rome sold to eighteenth-century… Read More

Adolfo Natalini: On Drawing

Adolfo Natalini: On Drawing

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Rem Koolhaas: EuroDisney

Rem Koolhaas: EuroDisney

Looking up toward a glass ceiling, the drawing shows the atrium of this luxury hotel – a ‘bridge’, which was to connect an island to a park creating a sequence of flowing, layered landscapes both inside and outside. Using sinuous forms, rising to a view of the sky, Koolhaas turns… Read More

Michael Webb: Sin Centre

Michael Webb: Sin Centre

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Three Projects

Three Projects

John Hejduk

I believe in the density of the sparse. The Diamond Thesis is both creative and analytical. It implies new points of view in architectural space. It delineates with clarity the frontal facet of isometric projection in the two-dimensional space of the picture plane of the drawings. The realisation that works… Read More

Archizoom, Andrea Branzi and the No-Stop City

Archizoom, Andrea Branzi and the No-Stop City

Andrea Branzi

Archizoom describe this ‘hypothetical theatre’ as part of a fluid and unstoppable culture, a non-stop metropolis re-imagined to fit the times, characterised by mobile theatres, unbound books, rooms without plan, unwritten music, … and cities made of voids. For the first time the presentation technique has … become a specific… Read More

Pier Vittorio Aureli

Pier Vittorio Aureli

Pier Vittorio Aureli

The Marriage of Reason and Squalor is a set of drawings I’ve produced since 2001. They are an investigation into what, in the absence of a better definition, I’ve called ‘non-compositional architecture’. Since the very beginning, I’ve conceived of these drawings as something to be executed by the simplest of means,… Read More

Walter Pichler: 20 Sketches from the Archives 1961–63

Walter Pichler: 20 Sketches from the Archives 1961–63

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Jean-Baptiste Lassus

Jean-Baptiste Lassus

The watercolour of the Sainte-Chapelle drawn by Lassus dates from the first years of the restoration, when the desire to restore the monument to its original thirteenth-century form was still very strong. The chapel is shown without its fifteenth-century flamboyant rose window and its exterior staircase built by Louis XII,… Read More

Constant’s New Babylon

Constant’s New Babylon

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Paul Rudolph

Paul Rudolph

Paul Rudolph

I try to find a graphic means of indicating what’s happening to the space. Space can move quickly or slowly. It can twist and turn. Space extends the dynamics of any building, because if the thrusting and counter-thrusting of the spaces aren’t balanced, then people feel unstable, the building doesn’t… Read More

John Lautner

John Lautner

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Erik Gunnar Asplund

Erik Gunnar Asplund

Nicholas Olsberg

Erik Gunnar Asplund’s son Ingemar told me that their father would pick him and his brother Hans up on Sundays to take them to the summer house. (He was then living with a woman other than their mother.) Father would make a little conversation as they made their way to… Read More

Viollet-le-Duc

Viollet-le-Duc

Eugène Viollet-le-Duc

From a letter to Mérimée written in 1843 from Vézelay: You, Sir, who have ceaselessly lived the life of the past, you understand the joy, the secret happiness felt when we can record in our sketchbook some of these forgotten [historical] treasures … but how much more interesting when these… Read More

Wagnerschule

Wagnerschule

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François Soufflot le Romain

François Soufflot le Romain

This drawing, commissioned by Jacques-Germain Soufflot from his nephew in Rome, for presentation to his colleagues at the Académie Française, vindicates the revolutionary structural principles on which his own church of St Geneviève was then being slowly constructed in Paris. It does this by establishing a direct comparison with the… Read More

Work on Paper: The changing metropolis 1940s–1980s

Work on Paper: The changing metropolis 1940s–1980s

Niall Hobhouse and Nicholas Olsberg

Part III: Monumentalism and motion 1940s –1980s A night rendering, making cinematic use of the dynamics of movement to suggest modernity, appears in the émigré architect Vassilieve’s ideal Manhattan, his animated drawing technique demonstrating how the varied shelves and openings of a setback megablock scheme bring energy and momentum, light… Read More

Work on Paper: The changing metropolis 1815–1900

Work on Paper: The changing metropolis 1815–1900

Niall Hobhouse and Nicholas Olsberg

Part I: Shifting scales and structures The transformation of the modern metropolis is not so much about expanding urban mats and changing topographic patterns as about how architects responded, structure by structure and type by type, to the shifting scales, capacities and ways of working that the city demanded of… Read More

Work on Paper: The changing metropolis 1900–1930s

Work on Paper: The changing metropolis 1900–1930s

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Work on Paper: Future Scenarios, Part III

Work on Paper: Future Scenarios, Part III

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