Category: drawing techniques & materials
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 2
21 January 2019
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 221 January 2019
– Mark Dorrian and Michael Webb
Mark Dorrian: I’ve loaded some images – Michael, by the way, doesn’t know what’s coming up. After showing this, the drawing of the building, I thought it would be useful to show a couple of slides about the context in which this project then appeared. The Furniture Manufacturers Building is… Read More
Zaha Hadid
27 November 2018
Zaha Hadid27 November 2018
When in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period, ‘What if fate had led her to… Read More
Theodore Conrad and Harvey Wiley Corbett
11 November 2018
Theodore Conrad and Harvey Wiley Corbett11 November 2018
– Jennifer Gray and Irene Sunwoo
The fragment of Theodore Conrad’s 1929 cardboard model of the Metropolitan Life Insurance Company tower designed by Harvey Wiley Corbett (1873–1954) — featured in the current exhibition Model Projections at the Arthur Ross Architecture Gallery at Columbia GSAPP — marks an early episode in the American model maker’s career and an experimental… Read More
Michael Graves: Fargo-Moorehead Cultural Bridge
15 October 2018
Michael Graves: Fargo-Moorehead Cultural Bridge15 October 2018
The Fargo-Moorhead Cultural Bridge is an unrealised project combining infrastructural and cultural programs: a vehicular bridge between two cities over the Red River, a performing arts building in Fargo, North Dakota, the Red River Valley heritage interpretive centre in Moorhead, Minnesota, and at the centre over the river itself, an… Read More
Netherfield Scroll Two
28 August 2018
Netherfield Scroll Two28 August 2018
What follows here forms the second part of a two-part conversation. It has been extracted from the original email exchange between Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones in relation to the acquisition of the Netherfield Scroll, published in part one. The Netherfield Scroll – which measures 20… Read More
Riet Eeckhout
20 August 2018
Riet Eeckhout20 August 2018
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Yacht Club Path
2 August 2018
Yacht Club Path2 August 2018
I The drawings have different stories. They don’t have a linear story, a beginning date and then a finished date at the end. Sometimes they are drawn in the beginning before the project is built and then continue during the construction of the project and sometimes too – actually, quite often… Read More
Mark Ericson
30 July 2018
Mark Ericson30 July 2018
This drawing is part of a series that interrogates the orthographic drawing techniques of Guarino Guarini (1624–1683) set out in his posthumous treatise, Architettura civile, (1737). While some of the drawings from the series deal with the direct documentation of his orthographic drawings, this particular drawing translates his written and drawn instructions… Read More
Three Timber Constructions
10 July 2018
Three Timber Constructions10 July 2018
When forested and harvested responsibly timber can be considered as a sustainable, renewable resource. With regard to its use as the material of choice in these self-build projects, it has two distinct advantages: firstly, it is fairly cheap relative to other building products. Secondly, it is a democratic material –… Read More
Aldo Rossi Cabina Construction
10 July 2018
Aldo Rossi Cabina Construction10 July 2018
The blue and pink cabin suffers from a few structural/constructional inadequacies. The first of these to be noticed is the door which binds within in its ‘frame’ (there is no frame as such; the short strap hinges simply hang off the boarding). The vertical boards which make the door have… Read More
Schinkel: ‘Precisely Loose’
19 June 2018
Schinkel: ‘Precisely Loose’19 June 2018
What light may Schinkel’s drawings shed on Building Information Modelling (BIM) practice? In 1806 the young Schinkel was asked to develop a residence design from a set of initial layout plans. He drew a façade section, a peristyle detail and a column capital, before the war began and the commission… Read More
Jørn Utzon’s Sydney Opera House
26 April 2018
Jørn Utzon’s Sydney Opera House26 April 2018
Somebody said the story about the orange is not right, but it is: he sent one of us over to the shop to buy an orange and he peeled it and took up the segments. Mogens Prip-Buus on Jørn Utzon and the Sydney Opera House
Remembered Space
22 April 2018
Remembered Space22 April 2018
A subtle and beguiling assemblage of recent works by Celia Scott is appropriately mounted on the plywood walls of the intimate Velorose Gallery, Charterhouse Square, London (13th April to 18th May 2018). Plywood, aluminium and carefully modulated surfaces that are revealed or obscured by spray paint are the stuff of… Read More
Elena Manferdini
17 April 2018
Elena Manferdini17 April 2018
The tryptic Ink on Mirror is part of a collection of elevation studies developed over the past three years by my office, Atelier Manferdini. My reason for compiling a suite of digital sketches was rooted in the belief that for the past twenty years computers have been able to produce new geometrical… Read More
Dominique Perrault Architecte
5 April 2018
Dominique Perrault Architecte5 April 2018
Pavilion Dufour, Château de Versailles, Developed Horizontal Wood Blades, Wall Covering began as a working document, resulting from the exchanges and developments between the acoustician, my team and the company engaged to build the acoustical panels covering the walls of the auditorium. This document immediately caught my attention because it seemed… Read More
Nicholas Grimshaw
5 April 2018
Nicholas Grimshaw5 April 2018
This axonometric of the Arthur Phillip High School illustrates the very inner workings of the building. Stripped bare of its materiality – the steel and concrete frame, the inner and outer facades and interior finishes – to reveal the network of elements which make the building come alive. These vital… Read More
WilkinsonEyre
28 March 2018
WilkinsonEyre28 March 2018
This drawing presents a snapshot of the BIM model from the northern end of Battersea Power Station. Combined with a point cloud survey of the existing fabric, it overlays newer elements of construction with layers of the historic model. Careful selection of the information presented makes it possible to see… Read More
Niall McLaughlin
17 March 2018
Niall McLaughlin17 March 2018
ALZHEIMER’S RESPITE CENTRE, DUBLIN We had six sites to look at and we did a feasibility study for each one. We eventually ended up with one which in many ways is not very satisfactory for people with dementia because it is an eighteenth-century walled garden. But what we did was… Read More
R. Norman Shaw
11 March 2018
R. Norman Shaw11 March 2018
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Tony Fretton
27 February 2018
Tony Fretton27 February 2018
84-7-1 is a singular image, a drawing of Lisson 1 seen from Lisson Street. It shows the back gallery as it was first intended – but which is not what it became, because the client kept buying land and adding to it. This sketch explores how a piece of architecture… Read More
Mark Dorrian
19 February 2018
Mark Dorrian19 February 2018
When we talk about the sketchbook what do we mean? Its complexity is reflected in the difficulty we experience – in many examples, at any rate – in straightforwardly attaching a name to it, for there are times it might seem to be equally a notebook, a journal, a diary,… Read More
Lütjens Padmanabhan Architekten
14 February 2018
Lütjens Padmanabhan Architekten14 February 2018
– Oliver Lütjens and Thomas Padmanabhan
There is an uncanny gap between the cold precision of a computer drawing and the confusing uncertainty of the design process. We try to bridge that gap with a collaborative method that includes a lot of discussions and the use of computer-prints, scalpel, glue, pencil and Tipp-Ex. The drawing above… Read More
Stan Allen: On Drawings’ Conclusions
8 February 2018
Stan Allen: On Drawings’ Conclusions8 February 2018
The Campo Marzio project had its origins in a series of drawings done as far back as 1979, when I was a student at Cooper Union. I entered Cooper as a transfer student with a BA already in hand. I was originally placed in second year, but after a semester… Read More
Hugh Strange Architects
2 October 2018
Hugh Strange Architects2 October 2018
We worked on the design of the Drawing Matter Archive in Somerset from September 2011 through to completion of the building in February 2014, providing a building of two halves with a studio space for day-to-day working and an adjacent space for the storage and occasional display of the clients’… Read More
exhibition presentation record shatwell farm (project) sketch