Medium: model

Florian Beigel Architects

Florian Beigel Architects

Florian Beigel and Philip Christou

This photograph was made of a physical model as part of the ongoing process of working on the design. It was made to test the scale and dimensions of the various elements that make up the space of one of two large rooms within the ‘Stage House’, a small shed… Read More

Hugh Strange: the Archive

Hugh Strange: the Archive

Hugh Strange has been involved in the transformations of Shatwell farmyard since 2010. He first entered the conversation as client advisor for an Architecture Research Unit project for a new Gardener’s House on the Hadspen Estate. Although the house was never built, the presence of ARU acted as a catalyst to several living… Read More

E. S. Prior’s ‘Architectural Modelling’

E. S. Prior’s ‘Architectural Modelling’

David Valinsky

The very fact that The Builder should publish an article explaining the benefits, the uses and the methods of making architectural models indicates just how novel the concept was in 1895, even in theory. ‘Architecture Modelling’ was the result of the almost unprecedented display of an actual model at the Royal Academy… Read More

Dissecting

Dissecting

Andrew Clancy

Programme Notes: Drawing Matter, Royal Fine Art Commission Trust, Kingston School of Art Summer School The impossible whole It might be best to start this Summer School with a big question – what is the value of architecture? One way to think about such a general question might be to… Read More

Elizabeth Hatz

Elizabeth Hatz

Elizabeth Hatz

Permanence – drawing as adjuration (incantation) If architecture, like art, is a way of asking forgiveness for being mortal (consider the Egyptians or Etruscans), making something last long after the last sigh of its author and searching for a form of permanence, transcending the most ephemeral moment, then the architectural… Read More

Roz Barr Architects

Roz Barr Architects

Roz Barr

The act of making a physical artefact involves a to-and-fro engagement with an idea, in which decisions are ‘made’ and re-thought, and then un-made before the idea is realised. This roundabout but essential process of adaption is carried out, in the work of my architectural practice, through the use of… Read More

Mogens Prip-Buus: Utzon

Mogens Prip-Buus: Utzon

Mogens Prip-Buus

I had been working from late 1956 to 1957 with Vilhelm Wohlert on the schemes of Louisiana and the summerhouse for Niels Bohr, and suddenly there was no more work. Wohlert, who knew all my weaknesses (he had been my teacher in my fifth year at school) advised me to… Read More

Lütjens Padmanabhan Architekten

Lütjens Padmanabhan Architekten

Oliver Lütjens and Thomas Padmanabhan

Hard lead pencils are unforgiving and require concentration, precision and humility when drawing with them. By using a hard lead the painterly effect associated with soft pencil sketches is avoided, with their tolerance to imprecision and visual sloppiness. Sketching with a hard lead requires focus. The joy of drawing a… Read More

Caruso St John Architects

Caruso St John Architects

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Alexander Brodsky

Alexander Brodsky

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Nicholas Olsberg: Some Thoughts on Sheds

Nicholas Olsberg: Some Thoughts on Sheds

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Casswell Bank Architects

Casswell Bank Architects

Alex Bank and Sam Casswell

The Garden Rooms academy drawing by Casswell Bank Architect’s is a depiction of the relationship between the new shed, the Maltings buildings and its gardens located at the western edge of Bruton. The drawing extends beyond the adjacent road connecting the town with the countryside and the river Brue that… Read More

Fontaine

Fontaine

Basile Baudez

Architectural historians have focused on the history of drawing as one of project design tools. By applying the methods of art history, one can trace colour as a key player in the long history of rivalry and exchange between European traditions in architectural drawing and practice. While Italian Renaissance drawings… Read More

Friedensreich Hundertwasser

Friedensreich Hundertwasser

Helen Thomas

Hauteurs de Macchu-Picchu, or the Heights of Macchu Picchu is a poem by Pablo Neruda written in 1945 that embraces a visit he made to the site in Peru, and includes within it a critique of modern life. The mountainous location is echoed in the form of this pile of… Read More

This Was Tomorrow: Reinventing Architecture 1953–1978

This Was Tomorrow: Reinventing Architecture 1953–1978

This Was Tomorrow: Reinventing Architecture 1953–1978 is an exhibition about architectural imagination and the power, processes and poetics of creation and invention. It presents a series of twelve episodes – beginning in the 1950s – that look at the ferment of new ideas as architects began to reconceive space in response… Read More

Ville Spatiale

Ville Spatiale

Yona Friedman

The ‘spatial city’, or rather its infrastructure, is the support for a great number of heterogeneous messages. The spatial city, in a way, is the ‘blank sheet of paper’ on which a work is drawn. And it is precisely this nature of the blank sheet of paper that allows nearly… Read More

Three Projects

Three Projects

John Hejduk

I believe in the density of the sparse. The Diamond Thesis is both creative and analytical. It implies new points of view in architectural space. It delineates with clarity the frontal facet of isometric projection in the two-dimensional space of the picture plane of the drawings. The realisation that works… Read More

Le Corbusier

Le Corbusier

Le Corbusier

I should like to give you the hatred of rendering … Architecture is in space, in extent, in depth, in height: it is volumes and circulation. Architecture is made inside one’s head. The sheet of paper is useful only to fix the design, to transmit to one’s client and one’s… Read More

Work on Paper: The changing metropolis 1940s–1980s

Work on Paper: The changing metropolis 1940s–1980s

Niall Hobhouse and Nicholas Olsberg

Part III: Monumentalism and motion 1940s –1980s A night rendering, making cinematic use of the dynamics of movement to suggest modernity, appears in the émigré architect Vassilieve’s ideal Manhattan, his animated drawing technique demonstrating how the varied shelves and openings of a setback megablock scheme bring energy and momentum, light… Read More

Work on Paper: Future Scenarios, Part III

Work on Paper: Future Scenarios, Part III

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