Period: c21st
Imaginal Cloud Spaces
31 December 2019
Imaginal Cloud Spaces31 December 2019
Many hours can be spent on what art historian Mary Berry calls ‘the sheer act of looking’ at the Japanese folding-screen paintings titled Rakuchu Rakugai zu (Scenes in and around Kyoto). [1] Across the sixteenth and seventeenth centuries, such paintings captured a seemingly complete image of the capital city. Through the consistent use of… Read More
The Matter of Drawing
3 August 2019
The Matter of Drawing3 August 2019
The Primitive Hut staggers into three dimensions. Wiry pen scribbles go technicolour, underground. A vermiculated arch becomes an intricately hollowed monolith. A coat of fur replaces the ragged edge where plaster gave way to brick. We are not in a hall of mirrors; instead we are looking at a group… Read More
Grandorge’s Pavilion
21 July 2019
Grandorge’s Pavilion21 July 2019
The timber pavilion shown in the film is being transported to its third incarnation, and from inside another shed to its second locale in Shatwell farmyard, where it will serve as a new temporary office for the Timber Frame Company Ltd. The TFC constructed the Peter Smithson Obelisk that has… Read More
Zaha Hadid: Post-its
8 March 2019
Zaha Hadid: Post-its8 March 2019
This is all Zaha’s hand. When she is drawing there is a directionality – you are looking from the top, at a plan, extruded or in perspective. These sketches are relatively preliminary but certainly not initial – they are too defined. She is developing a composition, but already thinking about… Read More
Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 1919
9 February 2019
Tom de Paor: On Hans Poelzig’s Grosses Schauspielhaus, Theater der Massen, Berlin, 19199 February 2019
The drawing is thinking, the same mark used over and over, up and down, hurdling scales quickly, the pulled edge of the sheet mimics the line. There is one idea – on the right, closer up – a study after or rehearsal for the three-quarter view bleached out from the… Read More
Hugh Strange Architects
2 October 2018
Hugh Strange Architects2 October 2018
We worked on the design of the Drawing Matter Archive in Somerset from September 2011 through to completion of the building in February 2014, providing a building of two halves with a studio space for day-to-day working and an adjacent space for the storage and occasional display of the clients’… Read More
Conjunction and Incongruity
1 September 2018
Conjunction and Incongruity1 September 2018
The word archive, meaning both the collection of documents and the building that houses them, is doubled in its meaning and it is not necessarily clear which one precedes the other. Drawing Matter Open Day highlighted in interesting ways the relation of causality between building and drawing as document or… Read More
Riet Eeckhout
20 August 2018
Riet Eeckhout20 August 2018
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The façade is the window to the soul of architecture: Venice Architecture Biennale, 2018
1 August 2018
The façade is the window to the soul of architecture: Venice Architecture Biennale, 20181 August 2018
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Mark Ericson
30 July 2018
Mark Ericson30 July 2018
This drawing is part of a series that interrogates the orthographic drawing techniques of Guarino Guarini (1624–1683) set out in his posthumous treatise, Architettura civile, (1737). While some of the drawings from the series deal with the direct documentation of his orthographic drawings, this particular drawing translates his written and drawn instructions… Read More
Foster + Partners
26 July 2018
Foster + Partners26 July 2018
Following on from Farshid Moussavi’s curatorial decision to create a display of construction drawings that showcase the ‘full complexity of the different systems and parts of buildings’, I chose this compelling BIM drawing from the Cleveland Clinic Health Education Campus project, which suitably illustrates our integrated design approach. Throughout the… Read More
Three Timber Constructions
10 July 2018
Three Timber Constructions10 July 2018
When forested and harvested responsibly timber can be considered as a sustainable, renewable resource. With regard to its use as the material of choice in these self-build projects, it has two distinct advantages: firstly, it is fairly cheap relative to other building products. Secondly, it is a democratic material –… Read More
Toyo Ito & Associates, Architects
6 July 2018
Toyo Ito & Associates, Architects6 July 2018
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Architectural Ethnography: Japan Pavilion
12 June 2018
Architectural Ethnography: Japan Pavilion12 June 2018
Flooded with light cast across alluringly animated walls, the Japan Pavilion at the 16th International Architecture Biennale in Venice is lined with drawings gathered together under the name of Architectural Ethnography. Momoyo Kaijima of Atelier Bow Wow has been developing the thinking underlying this method of observing and recording the human environment since the… Read More
Elizabeth Hatz: Line, Light, Locus
23 May 2018
Elizabeth Hatz: Line, Light, Locus23 May 2018
This is a Drawing Room, a with-drawing room. It is simply a love-declaration to the architectural drawing. Four walls, three large doorways. One end calmer, the other more open. The first thing decided is a table-bench; the drawing flat on the tabletop – like when you draw it – and… Read More
Alberto Campo Baeza: Sketchbook No. 37
12 May 2018
Alberto Campo Baeza: Sketchbook No. 3712 May 2018
Drawings, personal notes and poems flow across nearly 170 little pages and three months of Alberto Campo Baeza’s life, recorded during 2010 in an architectural sketchbook that he presented to the V&A in 2015. While scripted predominantly in Spanish, much is penned in English in which Campo Baeza is fluent.… Read More
Empathy
8 May 2018
Empathy8 May 2018
Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More
Remembered Space
22 April 2018
Remembered Space22 April 2018
A subtle and beguiling assemblage of recent works by Celia Scott is appropriately mounted on the plywood walls of the intimate Velorose Gallery, Charterhouse Square, London (13th April to 18th May 2018). Plywood, aluminium and carefully modulated surfaces that are revealed or obscured by spray paint are the stuff of… Read More
Elena Manferdini
17 April 2018
Elena Manferdini17 April 2018
The tryptic Ink on Mirror is part of a collection of elevation studies developed over the past three years by my office, Atelier Manferdini. My reason for compiling a suite of digital sketches was rooted in the belief that for the past twenty years computers have been able to produce new geometrical… Read More
David Kohn Architects
14 April 2018
David Kohn Architects14 April 2018
se two drawings of the Hounslow gate, however, belong to a different kind of drawing, which happens less frequently, possible only every few months. It often happens at a moment in the design process when progress is slowing, the range of issues we are exploring seems too restricted, a sense… Read More
Dominique Perrault Architecte
5 April 2018
Dominique Perrault Architecte5 April 2018
Pavilion Dufour, Château de Versailles, Developed Horizontal Wood Blades, Wall Covering began as a working document, resulting from the exchanges and developments between the acoustician, my team and the company engaged to build the acoustical panels covering the walls of the auditorium. This document immediately caught my attention because it seemed… Read More
Nicholas Grimshaw
5 April 2018
Nicholas Grimshaw5 April 2018
This axonometric of the Arthur Phillip High School illustrates the very inner workings of the building. Stripped bare of its materiality – the steel and concrete frame, the inner and outer facades and interior finishes – to reveal the network of elements which make the building come alive. These vital… Read More
Six Architects on their Dream Desks
17 December 2019
Six Architects on their Dream Desks17 December 2019
– Roz Barr, Biba Dow, Elizabeth Hatz, Emma Letizia Jones, Stephanie Macdonald and Helen Thomas
Drawing Matter recently acquired this design for a table, below. Although the work’s last sale in 1972 attributed the drawing to Thomas Chippendale, we are (perhaps wishfully) hoping that it might be an architect’s own design for desk. The sheet set off a flurry of chatter about the platonic spaces… Read More
detail elevation furniture & object design presentation projection (axonometric isometric) publication