Tag: elevation

Michael Gold: Crossed Swords

Michael Gold: Crossed Swords

Alvar Aalto

Alvar Aalto

Markus Lähteenmäki

For whatever reason it is produced, a blueprint solidifies a moment in the design process and further solidifies the project. It is not necessarily the final moment, and often after the blueprints have been produced they might be annotated by one or the other master, resulting in new drawings from… Read More

Peter Wilson

Peter Wilson

Peter Wilson

The seven Clandeboye drawings, each 35 × 35 cm and on A2 trace, were produced in 1984. The year is significant. Then the AA was busy maintaining a posture of indifference to Jenksian postmodernism, while the possibly visionary (at least in the case of architectural speculation) and certainly introspective 1970s… Read More

Jesse Reiser on Aldo Rossi

Jesse Reiser on Aldo Rossi

Jesse Reiser

In the spring of 1979 John Hejduk invited Aldo Rossi to teach at Cooper Union. I’m not certain when he met Rossi, but Rossi was crucial, I would say, to John’s last major shift in his work. He saw something in Rossi’s analogical project that would allow him to transition… Read More

Drawing from a Deep Well

Drawing from a Deep Well

Patrick Lynch

I make several different types of drawings in my life as an architect and as a teacher: those made at the speed of thought in B4 sketchbooks, on my lap or at the dining table or on trains or buses; tracing drawings made on bits torn from rolls of detail… Read More

Salvador Dalí

Salvador Dalí

There is evidence that Salvador Dalí’s enigmatic study for a building facade is part of a real project, but we don’t know what that might be. The sketch resists interpretation and association, far different from anything else Dalí produced at the time: 1939 – a year in which he has… Read More

Dissecting

Dissecting

Andrew Clancy

Programme Notes: Drawing Matter, Royal Fine Art Commission Trust, Kingston School of Art Summer School The impossible whole It might be best to start this Summer School with a big question – what is the value of architecture? One way to think about such a general question might be to… Read More

Enric Miralles – La Gran Casa

Enric Miralles – La Gran Casa

Javier Contreras

Few projects better represent Enric Miralles’ first stance towards architectural drawing than his own final degree project, La Gran Casa (The Large House), which he worked on with Marciá Codinachs and submitted to the Barcelona School of Architecture in 1978. Seven drawings, each about the size of a bed sheet (118.80 × 237.60 cm), define… Read More

A souvenir and survey

A souvenir and survey

Basile Baudez

While working on the the Paris basilica of Sainte Genevieve, Jacques-Germain Soufflot sent his nephew – also trained as an architect – to Italy, in order to compile some research on domes. Soufflot was struggling at this time with the design of Sainte Genevieve’s main dome, inspired partly by St… Read More

A.L.T. Vaudoyer

A.L.T. Vaudoyer

Basile Baudez

Antoine-Laurent-Thomas Vaudoyer’s Maison d’un Cosmopolite is part of a series of projects from the end of the 1780s and 1790s that try to think about the sphere as a built volume. The most famous is Boullée’s Newton Cenotaph but it is one among many. It is not only the sphere… Read More

Conen Sigl Architekten

Conen Sigl Architekten

Maria Conen

A drawing made in retrospect is the opposite of a sketch made at the beginning of the design process, which is an incomplete kind of searching for a way to order and compose the constitutive elements. This kind of ‘drawing made afterwards’ is much more about bringing all the principal… Read More

GOWAN DMC (SB6)

GOWAN DMC (SB6)

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Jean-Paul Jungmann

Jean-Paul Jungmann

Jean-Paul Jungmann

The Town: The Dream of Unity in the 1960s Staying on the theme of images and theoretical propositions from the sixties, the environment of the architectonic avant-gardes was that of the groups thought radical – they were Italian, Austrian, British and American (Archizoom, Superstudio, Archigram and others) and were known… Read More

Scott and La Pietra

Scott and La Pietra

Celia Scott

In this drawing of his project for a house for a sculptor, Ugo La Pietra tries to criticise the boxiness of the standard house and the context of the city. Working to synthesise the forms and disciplines of art and architecture, he draws an enveloping free-form volume on pillars. This… Read More

Ellis: James Gowan

Ellis: James Gowan

Ellis Woodman

While typically, the architect employs the sketchbook as a raft by which to navigate the relentless flow of day-to-day practice, those that James Gowan assembled, across the course of his long professional life, served as a more elevated and leisurely mode of transport. Questions that he was addressing in the… Read More

Ange-Jacques Gabriel

Ange-Jacques Gabriel

Niall Hobhouse

On occasion, an architectural drawing can serve as the surviving witness of a moving and complex historical event. Here, on a mutilated sheet of paper drawn in the middle of eighteenth century in the office of the most important architect of his day, we have the only record of a building on the… Read More

VIOLLET-LE-DUC: Mont Blanc

VIOLLET-LE-DUC: Mont Blanc

Martin Bressani

Dorrian: Michael Webb

Dorrian: Michael Webb

Mark Dorrian

In his drawings for the Sin Centre, Michael Webb constantly returns to the parts of the project that are to do with movement – the undulant mechanical escalators and the complex vehicle system through which cars enter and flow through the building on ramps that loop around, cross over and… Read More

Macarthur: Malton

Macarthur: Malton

John Macarthur

Trees and Clouds: the picturesque, perspective and aquatint An early architectural use of aquatint was James Malton’s 1798 book An Essay on British Cottage Architecture: Being an Attempt to Perpetuate on Principle, That Peculiar Mode of Building Which Was Originally the Work of Chance. Malton took his authority from Uvedale Price’s An Essay… Read More

Olsberg: Gordon Matta-Clark

Olsberg: Gordon Matta-Clark

Nicholas Olsberg

During a poetry reading at St Mark’s Church in the East Village of New York in 1973 Gordon Matta-Clark announced that he would draw on a roll of butcher paper an account of the history of architecture with a single long stroke of the pen. At the conclusion he would… Read More

Jessie Brennan

Jessie Brennan

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Thomas: Aitchison / Prendergast

Thomas: Aitchison / Prendergast

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Gowan: a rather beautiful coherence

Gowan: a rather beautiful coherence

Charles Rice

James Gowan’s Section through house with mechanical services is a presentation drawing made as part of his scheme for ninety-eight council dwellings in East Hanningfield, Essex, completed in 1978. What we might call the ‘image’ of the East Hanningfield scheme is given by the large round windows which mark the façades… Read More

Marie–José Van Hee: Black Drawings

Marie–José Van Hee: Black Drawings

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