Tag: plan

arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse

arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse

arq & Drawing Matter To launch the collaboration with Drawing Matter, and in continued celebration of arq’s recent twenty-first anniversary, the first issue of Volume 22 opens with a collection of twenty-one pairs of plan drawings. Stan Allen, Niall Hobhouse, and Helen Mallinson chose the images in an intense one-day session.… Read More

Architectural Research Quarterly: Plan

Architectural Research Quarterly: Plan

Volume 22, Issue 1 pp. 8–40 This issue of arq introduces the new collaboration with Drawing Matter. To launch the collaboration, and in continued celebration of arq’s recent twenty-first anniversary, this issue opens with a collection of twenty-one pairs of plan drawings. Stan Allen, Niall Hobhouse, and Helen Mallinson chose the images in… Read More

Freestanding: Sigurd Lewerentz

Freestanding: Sigurd Lewerentz

Helen Thomas

Inhabiting and transforming the lozenge-like space of a long room in the heart of the Central Pavilion’s labyrinth, an installation by Petra Gipp creates a series of veiled rooms, corners and framed views, making spaces both ordered and complex. Everything is luminous. Light drops drops down from the skylights opened… Read More

Niall McLaughlin

Niall McLaughlin

Niall McLaughlin

ALZHEIMER’S RESPITE CENTRE, DUBLIN We had six sites to look at and we did a feasibility study for each one. We eventually ended up with one which in many ways is not very satisfactory for people with dementia because it is an eighteenth-century walled garden. But what we did was… Read More

R. Norman Shaw

R. Norman Shaw

Sorry… this page has not yet been transferred to our new website. Check again soon.

Lütjens Padmanabhan Architekten

Lütjens Padmanabhan Architekten

Oliver Lütjens and Thomas Padmanabhan

There is an uncanny gap between the cold precision of a computer drawing and the confusing uncertainty of the design process. We try to bridge that gap with a collaborative method that includes a lot of discussions and the use of computer-prints, scalpel, glue, pencil and Tipp-Ex.  The drawing above… Read More

Stan Allen: On Drawings’ Conclusions

Stan Allen: On Drawings’ Conclusions

Stan Allen

The Campo Marzio project had its origins in a series of drawings done as far back as 1979, when I was a student at Cooper Union. I entered Cooper as a transfer student with a BA already in hand. I was originally placed in second year, but after a semester… Read More

A Blueprint is… Blue

A Blueprint is… Blue

Neil Bingham

A common error in looking at architectural drawings is to mistake mechanical reproductions for originals. Original and copy drawings both physically consist of two elements: the material (like ink) and the support (usually paper). But – and it may seem obvious to say – lines on paper are made by… Read More

Florian Beigel & Kisa Kawakami

Florian Beigel & Kisa Kawakami

Gabriel Pierre Martin Dumont

Gabriel Pierre Martin Dumont

This large and exquisite drawing by Gabriel Pierre Martin Dumont represents a garden design in the form of the plan of St Peter’s Basilica and Piazza by Bernini. Serried ranks of trees rather than stone walls and columns are used to marshal a vast landscape into a perfect emblem of… Read More

The Politics of the Image

The Politics of the Image

Maria Sheherazade Giudici, Joseph Mercer, Florian Scheucher, Keranie Theodosiou, Livia Wang, Sophie Williams and Feifei Zhou

My course, The Politics of the Image at the Royal College of Art, drew on the Drawing Matter Collection amongst others to explore the construction of images since the Renaissance. This construction has allowed a crafty lie to evolve, be challenged and ultimately influence reality – albeit not always in straightforward ways.… Read More

Parataxis

Parataxis

Matthew Wells

‘Whatever elements that may come to hand or that are selected from the profusion of materials within reach, are combined with words to create a simple poetic image. This should amuse, disturb, mystify or provoke reflection. These images above all should entertain – the only sure road to appreciation.’ Man… Read More

Sir William Chambers: Somerset House

Sir William Chambers: Somerset House

Approximately 700 drawings of Sir William Chambers’ eighteenth-century design for Somerset House reside at Sir John Soane’s Museum. Yet, to start, it was not at all certain that Chambers would get the commission. At that point in his career he was Comptroller of the Works under King George III, a… Read More

Gilles-Marie Oppenord

Gilles-Marie Oppenord

David Pullins

For French architects, the Grand Prix (later the Prix de Rome) was not formalized until 1720; however, study in the Italian peninsula was considered a crucial stage of an aspiring architect’s education. Gilles-Marie Oppenord, son of a cabinet-maker to Louis XIV, travelled to Rome in 1692 under the patronage of Edouard Colbert, marquis… Read More

William Butterfield

William Butterfield

Nicholas Olsberg

Nothing Permitted But What Has Been Foreseen William Butterfield eschewed the illustrative perspective, preferring instead to develop even his studies as contract drawings that would serve three tasks: as presentations through which a project could be comprehended, as instructions from which his contractors and clients could not swerve, and as… Read More

Michael Gold: Crossed Swords

Michael Gold: Crossed Swords

Alvar Aalto

Alvar Aalto

Markus Lähteenmäki

For whatever reason it is produced, a blueprint solidifies a moment in the design process and further solidifies the project. It is not necessarily the final moment, and often after the blueprints have been produced they might be annotated by one or the other master, resulting in new drawings from… Read More

All Change on Change Alley

All Change on Change Alley

Celina Fox

At one o’clock in the morning of 25 March 1748, a fire broke out in Exchange Alley in the heart of the City of London. It started in the powder room of a barber and wig maker and by the time it was extinguished, eighty houses had been destroyed and… Read More

Enric Miralles – La Gran Casa

Enric Miralles – La Gran Casa

Javier Contreras

Few projects better represent Enric Miralles’ first stance towards architectural drawing than his own final degree project, La Gran Casa (The Large House), which he worked on with Marciá Codinachs and submitted to the Barcelona School of Architecture in 1978. Seven drawings, each about the size of a bed sheet (118.80 × 237.60 cm), define… Read More

Fortifications

Fortifications

Sorry… this page has not yet been transferred to our new website. Check again soon.

Elizabeth Hatz

Elizabeth Hatz

Elizabeth Hatz

Permanence – drawing as adjuration (incantation) If architecture, like art, is a way of asking forgiveness for being mortal (consider the Egyptians or Etruscans), making something last long after the last sigh of its author and searching for a form of permanence, transcending the most ephemeral moment, then the architectural… Read More

Conen Sigl Architekten

Conen Sigl Architekten

Maria Conen

A drawing made in retrospect is the opposite of a sketch made at the beginning of the design process, which is an incomplete kind of searching for a way to order and compose the constitutive elements. This kind of ‘drawing made afterwards’ is much more about bringing all the principal… Read More

GOWAN DMC (SB6)

GOWAN DMC (SB6)

Sorry… this page has not yet been transferred to our new website. Check again soon.

Jean-Paul Jungmann

Jean-Paul Jungmann

Jean-Paul Jungmann

The Town: The Dream of Unity in the 1960s Staying on the theme of images and theoretical propositions from the sixties, the environment of the architectonic avant-gardes was that of the groups thought radical – they were Italian, Austrian, British and American (Archizoom, Superstudio, Archigram and others) and were known… Read More