Tag: section

Ellis: James Gowan

Ellis: James Gowan

Ellis Woodman

While typically, the architect employs the sketchbook as a raft by which to navigate the relentless flow of day-to-day practice, those that James Gowan assembled, across the course of his long professional life, served as a more elevated and leisurely mode of transport. Questions that he was addressing in the… Read More

VIOLLET-LE-DUC: Mont Blanc

VIOLLET-LE-DUC: Mont Blanc

Martin Bressani

Dorrian: Michael Webb

Dorrian: Michael Webb

Mark Dorrian

In his drawings for the Sin Centre, Michael Webb constantly returns to the parts of the project that are to do with movement – the undulant mechanical escalators and the complex vehicle system through which cars enter and flow through the building on ramps that loop around, cross over and… Read More

Gowan: a rather beautiful coherence

Gowan: a rather beautiful coherence

Charles Rice

James Gowan’s Section through house with mechanical services is a presentation drawing made as part of his scheme for ninety-eight council dwellings in East Hanningfield, Essex, completed in 1978. What we might call the ‘image’ of the East Hanningfield scheme is given by the large round windows which mark the façades… Read More

Marie–José Van Hee: Black Drawings

Marie–José Van Hee: Black Drawings

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The Black Drawings of Marie-José Van Hee

The Black Drawings of Marie-José Van Hee

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A Civic Utopia Exhibition

A Civic Utopia Exhibition

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Fontaine

Fontaine

Basile Baudez

Architectural historians have focused on the history of drawing as one of project design tools. By applying the methods of art history, one can trace colour as a key player in the long history of rivalry and exchange between European traditions in architectural drawing and practice. While Italian Renaissance drawings… Read More

Charles de Wailly

Charles de Wailly

The high level of ornamental detail and the conspicuously novel elements of stove and fountain suggest that this drawing may have been among those exhibition-drawings that de Wailly sent to the Paris Salon from 1771 onwards, the year he was controversially admitted to the Royal Academy of Painting and Sculpture.… Read More

Seven Farmyards

Seven Farmyards

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Rem Koolhaas: EuroDisney

Rem Koolhaas: EuroDisney

Looking up toward a glass ceiling, the drawing shows the atrium of this luxury hotel – a ‘bridge’, which was to connect an island to a park creating a sequence of flowing, layered landscapes both inside and outside. Using sinuous forms, rising to a view of the sky, Koolhaas turns… Read More

Michael Webb: Sin Centre

Michael Webb: Sin Centre

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Sin Centre

Sin Centre

Michael Webb

All this can, and is meant to happen on the parking ramps of the Sin Centre: couples bring along their own mobile living room and view the action, neck or talk.

Three Projects

Three Projects

John Hejduk

I believe in the density of the sparse. The Diamond Thesis is both creative and analytical. It implies new points of view in architectural space. It delineates with clarity the frontal facet of isometric projection in the two-dimensional space of the picture plane of the drawings. The realisation that works… Read More

The Lost Art of Drawing

The Lost Art of Drawing

Michael Graves

I personally like to draw on translucent … tracing paper, which allows me to layer one drawing on top of another, building on what I’ve drawn before, and again, creating a personal, emotional connection with the work. With both of these types of drawings [the referential sketch and the preparatory… Read More

The Open Hand

The Open Hand

Le Corbusier

The Open Hand will affirm that the second era of the machine-civilisation, the era of harmony, has started.

Dismantled Sketchbook

Dismantled Sketchbook

James Gowan

To some extent this is the battle-ground of the British architectural avant-garde; the incompatibilities of graphics and architecture, the freedom that the former allows and the restrictions that the latter asserts. In recent years, the graphics have got smoother whilst the dialectic has remained largely unresolved. A conclusive project is… Read More

Walter Pichler

Walter Pichler

Walter Pichler

Architecture … is a brutal matter … it crushes those who cannot stand it. Quoted from a manuscript statement, c. 1962

Walter Pichler: 20 Sketches from the Archives 1961–63

Walter Pichler: 20 Sketches from the Archives 1961–63

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Buckminster Fuller

Buckminster Fuller

Richard Buckminster Fuller

Slenderness, Lightness, and Strength.

Constant’s New Babylon

Constant’s New Babylon

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John Lautner

John Lautner

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Work on Paper: The changing metropolis 1815–1900

Work on Paper: The changing metropolis 1815–1900

Niall Hobhouse and Nicholas Olsberg

Part I: Shifting scales and structures The transformation of the modern metropolis is not so much about expanding urban mats and changing topographic patterns as about how architects responded, structure by structure and type by type, to the shifting scales, capacities and ways of working that the city demanded of… Read More

Work on Paper: Future Scenarios, Part III

Work on Paper: Future Scenarios, Part III

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