Tag: sketch

Louis Kahn: Kansas City Office Building

Louis Kahn: Kansas City Office Building

The Kansas City Office Building – never built but designed in many variations between 1966 and Louis Kahn’s death in 1974, in close collaboration with the structural engineer August Komendant – is a clear example of the poetics of weight and mass in contrast with prevailing ideals of structural lightness.… Read More

Hans Hollein: Infinite Space

Hans Hollein: Infinite Space

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To Read A Drawing

To Read A Drawing

Peter Eisenman

What is it to read a drawing? Traditionally, we read writing and see drawing. But if we transgress that custom, then we accrue to drawing the privilege of the autonomy of the reader. If we limited ourselves to seeing drawings as drawings then there would be no possibility of unhooking… Read More

The Continuous Monument

The Continuous Monument

Adolfo Natalini

My sketchbooks show a really typical project called the Continuous Monument. The Monument was a demonstration of the falsity and the absurdity of some of the theories that went on in that period. We started producing images of this sort of continuous monument, the continuous strip of urbanisation which was… Read More

Adolfo Natalini: On Drawing

Adolfo Natalini: On Drawing

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Robert Venturi

Robert Venturi

Lying on the border between an elevation and a perspective, with a bold delineation of the facade and a vague evocation of the volume it bounds, this sketch seems to reflect — in its manner as in the form it explores — everything Venturi had to say about the weaving… Read More

Michael Webb: Sin Centre

Michael Webb: Sin Centre

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Sin Centre

Sin Centre

Michael Webb

All this can, and is meant to happen on the parking ramps of the Sin Centre: couples bring along their own mobile living room and view the action, neck or talk.

Ville Spatiale

Ville Spatiale

Yona Friedman

The ‘spatial city’, or rather its infrastructure, is the support for a great number of heterogeneous messages. The spatial city, in a way, is the ‘blank sheet of paper’ on which a work is drawn. And it is precisely this nature of the blank sheet of paper that allows nearly… Read More

Peter Märkli: Thinking Drawings

Peter Märkli: Thinking Drawings

Florian Beigel and Philip Christou

These are an intriguing set of drawings … they are very memorable and have a charm and magic about them. They have a directness, a sense of humour and ease, they make you smile. At first glance they look as if they were done by someone who is untrained, they… Read More

The Lost Art of Drawing

The Lost Art of Drawing

Michael Graves

I personally like to draw on translucent … tracing paper, which allows me to layer one drawing on top of another, building on what I’ve drawn before, and again, creating a personal, emotional connection with the work. With both of these types of drawings [the referential sketch and the preparatory… Read More

Battleground

Battleground

James Gowan

To some extent this is the battleground of the British architectural avant-garde; the incompatibilities of graphics and architecture, the freedom that the former allows and the restrictions that the latter asserts. In recent years, the graphics have got smoother whilst the dialectic has remained largely unresolved. A conclusive project is… Read More

Dismantled Sketchbook

Dismantled Sketchbook

James Gowan

To some extent this is the battle-ground of the British architectural avant-garde; the incompatibilities of graphics and architecture, the freedom that the former allows and the restrictions that the latter asserts. In recent years, the graphics have got smoother whilst the dialectic has remained largely unresolved. A conclusive project is… Read More

Zünd-Up

Zünd-Up

An element in this Viennese collective’s proposal to extend the city into a newly ‘psycho-dynamic’ street and park system, this ‘Cortina-Bob-Bahn’ would have ornamented the gardens of the Prater with a drive-yourself roller-coaster tower some 1500 metres high.

Walter Pichler: 20 Sketches from the Archives 1961–63

Walter Pichler: 20 Sketches from the Archives 1961–63

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Haus-Rücker-Co.

Haus-Rücker-Co.

This art collective – we might call them the ‘house thief company’ or ‘house drawing company’– took its name from a pun on the verb ‘to draw’ and an old slang word for ‘thief’. Their projects during this period involved interventions in which a house or building would be ‘stolen’… Read More

Buckminster Fuller

Buckminster Fuller

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Preamble to a New World

Preamble to a New World

Constant

Stones speak. Towns speak. Ruins and skylines: the story of the people. From ‘Preamble to a New World,’ New Babylon, 1963.

Constant’s New Babylon

Constant’s New Babylon

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Erik Gunnar Asplund

Erik Gunnar Asplund

Nicholas Olsberg

Erik Gunnar Asplund’s son Ingemar told me that their father would pick him and his brother Hans up on Sundays to take them to the summer house. (He was then living with a woman other than their mother.) Father would make a little conversation as they made their way to… Read More

Wagnerschule

Wagnerschule

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Jacques Couëlle

Jacques Couëlle

Jacques Couëlle

Call it ‘Potomania’ — plants and flowers above all … a column of water cascading freely on to a little pond … the column a staff both shining and singing. — Jacques Couëlle

Work on Paper: The changing metropolis 1940s–1980s

Work on Paper: The changing metropolis 1940s–1980s

Niall Hobhouse and Nicholas Olsberg

Part III: Monumentalism and motion 1940s –1980s A night rendering, making cinematic use of the dynamics of movement to suggest modernity, appears in the émigré architect Vassilieve’s ideal Manhattan, his animated drawing technique demonstrating how the varied shelves and openings of a setback megablock scheme bring energy and momentum, light… Read More

Architectural anxiety

Architectural anxiety

Niall Hobhouse and Nicholas Olsberg

This instalment explores the rich pathologies of architectural anxiety: the nagging pressure of what architects know and admire, or have seen and rejected. Or of what it is in the work of other architects, and in their own past practice, which they are driven always to acknowledge in the buildings… Read More