Category: drawing histories
Michael Graves: Fargo-Moorehead Cultural Bridge
15 October 2018
Michael Graves: Fargo-Moorehead Cultural Bridge15 October 2018
The Fargo-Moorhead Cultural Bridge is an unrealised project combining infrastructural and cultural programs: a vehicular bridge between two cities over the Red River, a performing arts building in Fargo, North Dakota, the Red River Valley heritage interpretive centre in Moorhead, Minnesota, and at the centre over the river itself, an… Read More
Drawing Architecture
9 October 2018
Drawing Architecture9 October 2018
Frail and delicate, Richard Buckminster Fuller’s drawing of a geodesic sphere floats, without context, in the space of the paper it inhabits. More than the form it reveals, the net of thin, red lines expresses the presence of the space within it. A perspective effect emanates from the central point… Read More
Artists at Work
14 September 2018
Artists at Work14 September 2018
I recently had the pleasure of jointly selecting a group of drawings from the Katrin Bellinger collection for the exhibition Artists at Work at the Courtauld Gallery, London (3 May to 15 July 2018). The title is generically applied to her focused collection of paintings, drawings, prints and photographs concerned with artists’… Read More
Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India
7 September 2018
Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India7 September 2018
Niall Hobhouse remembers that Jullian de la Fuente, the Chilean architect who worked with Le Corbusier, told him the story of how he came to own the twelve pages (of which one is shown) extracted from Le Corbusier’s sketchbook: In the late 1950s the first Prime Minister of India, Jawaharlal… Read More
Netherfield Scroll Two
28 August 2018
Netherfield Scroll Two28 August 2018
What follows here forms the second part of a two-part conversation. It has been extracted from the original email exchange between Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones in relation to the acquisition of the Netherfield Scroll, published in part one. The Netherfield Scroll – which measures 20… Read More
Behind the Lines 6
13 August 2018
Behind the Lines 613 August 2018
Richard Bentley cracked open the red seal, smiling as he always did at the peculiar crest of a man in a ridiculous long-tasselled hat, and folded out the letter. His mood was anxious; he scratched his head nervously with one hand and knocked over the ink on his drawing table with… Read More
Yacht Club Path
2 August 2018
Yacht Club Path2 August 2018
I The drawings have different stories. They don’t have a linear story, a beginning date and then a finished date at the end. Sometimes they are drawn in the beginning before the project is built and then continue during the construction of the project and sometimes too – actually, quite often… Read More
Mark Ericson
30 July 2018
Mark Ericson30 July 2018
This drawing is part of a series that interrogates the orthographic drawing techniques of Guarino Guarini (1624–1683) set out in his posthumous treatise, Architettura civile, (1737). While some of the drawings from the series deal with the direct documentation of his orthographic drawings, this particular drawing translates his written and drawn instructions… Read More
A Fragment of Wright’s Great City
16 July 2018
A Fragment of Wright’s Great City16 July 2018
Wright, Wagner and the Idea of the Great City We become greater in service to the general effect, more harmonious as part of the whole.– Frank Lloyd Wright, ‘To my European Co-Workers’, 1925 ‘I came upon the Secession during the winter of 1910,’ Wright wrote in An Autobiography, noting with great… Read More
Freestanding: Sigurd Lewerentz
20 June 2018
Freestanding: Sigurd Lewerentz20 June 2018
Inhabiting and transforming the lozenge-like space of a long room in the heart of the Central Pavilion’s labyrinth, an installation by Petra Gipp creates a series of veiled rooms, corners and framed views, making spaces both ordered and complex. Everything is luminous. Light drops drops down from the skylights opened… Read More
Schinkel: ‘Precisely Loose’
19 June 2018
Schinkel: ‘Precisely Loose’19 June 2018
What light may Schinkel’s drawings shed on Building Information Modelling (BIM) practice? In 1806 the young Schinkel was asked to develop a residence design from a set of initial layout plans. He drew a façade section, a peristyle detail and a column capital, before the war began and the commission… Read More
Talking to Drawings
8 June 2018
Talking to Drawings8 June 2018
Talking to Drawings was produced to accomapny the exhibition Disappear Here (RIBA, 2 May – 7 Oct 2018), which explored the history, application and implications of perspective, how it spans truth and illusion, linking the disciplines of art, architecture and mathematics, through material from the RIBA and Drawing Matter collections.… Read More
Elizabeth Hatz: Line, Light, Locus
23 May 2018
Elizabeth Hatz: Line, Light, Locus23 May 2018
This is a Drawing Room, a with-drawing room. It is simply a love-declaration to the architectural drawing. Four walls, three large doorways. One end calmer, the other more open. The first thing decided is a table-bench; the drawing flat on the tabletop – like when you draw it – and… Read More
Alberto Campo Baeza: Sketchbook No. 37
12 May 2018
Alberto Campo Baeza: Sketchbook No. 3712 May 2018
Drawings, personal notes and poems flow across nearly 170 little pages and three months of Alberto Campo Baeza’s life, recorded during 2010 in an architectural sketchbook that he presented to the V&A in 2015. While scripted predominantly in Spanish, much is penned in English in which Campo Baeza is fluent.… Read More
Empathy
8 May 2018
Empathy8 May 2018
Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More
Jørn Utzon’s Sydney Opera House
26 April 2018
Jørn Utzon’s Sydney Opera House26 April 2018
Somebody said the story about the orange is not right, but it is: he sent one of us over to the shop to buy an orange and he peeled it and took up the segments. Mogens Prip-Buus on Jørn Utzon and the Sydney Opera House
Remembered Space
22 April 2018
Remembered Space22 April 2018
A subtle and beguiling assemblage of recent works by Celia Scott is appropriately mounted on the plywood walls of the intimate Velorose Gallery, Charterhouse Square, London (13th April to 18th May 2018). Plywood, aluminium and carefully modulated surfaces that are revealed or obscured by spray paint are the stuff of… Read More
Elena Manferdini
17 April 2018
Elena Manferdini17 April 2018
The tryptic Ink on Mirror is part of a collection of elevation studies developed over the past three years by my office, Atelier Manferdini. My reason for compiling a suite of digital sketches was rooted in the belief that for the past twenty years computers have been able to produce new geometrical… Read More
David Kohn Architects
14 April 2018
David Kohn Architects14 April 2018
se two drawings of the Hounslow gate, however, belong to a different kind of drawing, which happens less frequently, possible only every few months. It often happens at a moment in the design process when progress is slowing, the range of issues we are exploring seems too restricted, a sense… Read More
Dominique Perrault Architecte
5 April 2018
Dominique Perrault Architecte5 April 2018
Pavilion Dufour, Château de Versailles, Developed Horizontal Wood Blades, Wall Covering began as a working document, resulting from the exchanges and developments between the acoustician, my team and the company engaged to build the acoustical panels covering the walls of the auditorium. This document immediately caught my attention because it seemed… Read More
Nicholas Grimshaw
5 April 2018
Nicholas Grimshaw5 April 2018
This axonometric of the Arthur Phillip High School illustrates the very inner workings of the building. Stripped bare of its materiality – the steel and concrete frame, the inner and outer facades and interior finishes – to reveal the network of elements which make the building come alive. These vital… Read More
Eurolandschaft Dérive
1 April 2018
Eurolandschaft Dérive1 April 2018
The format is Japanese: a concertina sketchbook presented empty to me by Akira Suzuki shortly after the 1983 completion of our Tokyo Suzuki House design. The drawing format is also Japanese – influenced by our reading of Tokyo (documented in Western Objects + Eastern Fields, AA 1989). Tokyo is difficult for… Read More
WilkinsonEyre
28 March 2018
WilkinsonEyre28 March 2018
This drawing presents a snapshot of the BIM model from the northern end of Battersea Power Station. Combined with a point cloud survey of the existing fabric, it overlays newer elements of construction with layers of the historic model. Careful selection of the information presented makes it possible to see… Read More
Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980
23 October 2018
Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 198023 October 2018
On 1 October 1980, at the height of postmodernism, Luce van Rooy opened her gallery in Amsterdam, around the corner from the Stedelijk Museum. [1] In a recent interview van Rooy reflects on the history of the gallery: the idea – what she calls a gallery for ‘architecture and related… Read More
elevation exhibition presentation projection (axonometric isometric) sketch