Medium: print
John Hejduk’s Axonometric Degree Zero
23 September 2019
John Hejduk’s Axonometric Degree Zero23 September 2019
Sometime in 1981, while I was working on my final thesis project at the Cooper Union, John Hejduk set me a drawing exercise. We had been discussing the spatial implications of the 90-degree axonometric. [1] Hejduk had a very particular understanding of this drawing type, which involved folding or hinging… Read More
Harvey Wiley Corbett on Architectural Models of Cardboard
19 September 2019
Harvey Wiley Corbett on Architectural Models of Cardboard19 September 2019
Between April and August 1922 the American journal Pencil Points printed a four-part series by the architect Harvey Wiley Corbett on architectural models that were made of cardboard. According to Corbett, cardboard was a medium for modern times, providing an economical and labour-saving way for the architect to produce models for study… Read More
Dom Hans van der Laan
19 August 2019
Dom Hans van der Laan19 August 2019
On 23 November 1968 the Dutch architect and Benedictine monk Dom Hans van der Laan unfolded an eighteenth-century piece of fabric, the Douglas tartan, in order to explain the mechanisms of space to his students. Alongside his brother Nico, van der Laan had been teaching a course in church architecture,… Read More
Learning from the tortoise
9 August 2019
Learning from the tortoise9 August 2019
I. The tortoise is certainly slow, but in the ancient fable it arrives sooner than the hare – or according to the even older paradox of Zeno it always arrives before the mighty runner Achilles. Slowness is usually seen as a negative characteristic, lacking the vibrancy of speed. But everything… Read More
Ugliness and Judgment
19 April 2019
Ugliness and Judgment19 April 2019
In the summer of 1740, John Wood the Elder ventured his first study of the lithic monuments that surrounded his native city of Bath, drawing sketches of the stones at Stanton Drew. These earned him the patronage of Edward Harley, second Earl of Oxford, which enabled Wood to undertake more… Read More
Boompjes II
28 February 2019
Boompjes II28 February 2019
Triptych This ink drawing was to be printed as a silkscreen and that is when the conversation with Bernard Ruygrok, the printer, started. His place in Amsterdam was amazing. We had several meetings to discuss colors because he had to do everything by hand. At some point I had a smaller version of the ink drawing printed on clear… Read More
Boompjes I
22 February 2019
Boompjes I22 February 2019
In the 1980s, the city of Rotterdam asked OMA to study its high-rise building and to illustrate their findings in a planning proposal. The site, selected in consultation with the Rotterdam Planning Department, was situated on Maasboulevard, near the Maasbridge – an angle between the river and the lower city grid, a ‘hinge’… Read More
Behind the Lines 9
2 February 2019
Behind the Lines 92 February 2019
Cyril Ponsonby walked anxiously from where he was staying in Wilbury Road, Hove over to the Hotel Metropole on the Brighton sea front. It was 1907, a sunny day in early August. He was hot and bothered. Under his arm he held a sheaf of papers. He went through the… Read More
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 2
21 January 2019
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 221 January 2019
– Mark Dorrian and Michael Webb
Mark Dorrian: I’ve loaded some images – Michael, by the way, doesn’t know what’s coming up. After showing this, the drawing of the building, I thought it would be useful to show a couple of slides about the context in which this project then appeared. The Furniture Manufacturers Building is… Read More
Zaha Hadid
27 November 2018
Zaha Hadid27 November 2018
When in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period, ‘What if fate had led her to… Read More
Commonplace
12 November 2018
Commonplace12 November 2018
In 1877, London’s Building News reprinted – as the ‘work of two eminent architects, though it cannot be said to be their joint production’ – an elevation, plan, and partial section published by Eugène Viollet-le-Duc as a model town house, noting that this supposed ‘London Residence’ had been adapted – with due… Read More
Madelon Vriesendorp
4 November 2018
Madelon Vriesendorp4 November 2018
– Niall Hobhouse and Madelon Vriesdendorp
Excerpted from Madelon Vreisendop in conversation with Niall Hobhouse, RIBA, 2 July 2018
Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980
23 October 2018
Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 198023 October 2018
On 1 October 1980, at the height of postmodernism, Luce van Rooy opened her gallery in Amsterdam, around the corner from the Stedelijk Museum. [1] In a recent interview van Rooy reflects on the history of the gallery: the idea – what she calls a gallery for ‘architecture and related… Read More
Richard J. Neutra
10 August 2018
Richard J. Neutra10 August 2018
‘Richard J. Neutra has carried on the Wagner tradition of experimentation in new forms, materials and methods of construction… an impetus to the intelligent solution of new problems.’ Ernestine M. Fantl on the Corona Avenue School, ‘Modern Architecture in California’ (Typescript Mimeograph, MoMA Archives, 1935) Just before 6 o’clock on… Read More
Remembered Space
22 April 2018
Remembered Space22 April 2018
A subtle and beguiling assemblage of recent works by Celia Scott is appropriately mounted on the plywood walls of the intimate Velorose Gallery, Charterhouse Square, London (13th April to 18th May 2018). Plywood, aluminium and carefully modulated surfaces that are revealed or obscured by spray paint are the stuff of… Read More
AL_A
5 March 2018
AL_A5 March 2018
Farshid Moussavi’s brief for the Royal Academy of Arts Summer Exhibition asked for representations of the complexities of designing and realising buildings and structures. We illustrated this by overlaying each level of intervention in a different colour – from the existing V&A stonework in green, the services in purple, to the… Read More
Lütjens Padmanabhan Architekten
14 February 2018
Lütjens Padmanabhan Architekten14 February 2018
– Oliver Lütjens and Thomas Padmanabhan
There is an uncanny gap between the cold precision of a computer drawing and the confusing uncertainty of the design process. We try to bridge that gap with a collaborative method that includes a lot of discussions and the use of computer-prints, scalpel, glue, pencil and Tipp-Ex. The drawing above… Read More
A Blueprint is… Blue
24 January 2018
A Blueprint is… Blue24 January 2018
A common error in looking at architectural drawings is to mistake mechanical reproductions for originals. Original and copy drawings both physically consist of two elements: the material (like ink) and the support (usually paper). But – and it may seem obvious to say – lines on paper are made by… Read More
The Politics of the Image
5 January 2018
The Politics of the Image5 January 2018
– Maria Sheherazade Giudici, Joseph Mercer, Florian Scheucher, Keranie Theodosiou, Livia Wang, Sophie Williams and Feifei Zhou
My course, The Politics of the Image at the Royal College of Art, drew on the Drawing Matter Collection amongst others to explore the construction of images since the Renaissance. This construction has allowed a crafty lie to evolve, be challenged and ultimately influence reality – albeit not always in straightforward ways.… Read More
Parataxis
28 December 2017
Parataxis28 December 2017
‘Whatever elements that may come to hand or that are selected from the profusion of materials within reach, are combined with words to create a simple poetic image. This should amuse, disturb, mystify or provoke reflection. These images above all should entertain – the only sure road to appreciation.’ Man… Read More
Herbert Matter
27 November 2017
Herbert Matter27 November 2017
This is the work of the Swiss photographer and designer Herbert Matter, who after a short career in New York had moved to California in 1943 with his wife, the American painter and art critic Mercedes Carles. Both were friends and associates of Fernand Leger, with whom Herbert had been… Read More
Alvar Aalto
1 November 2017
Alvar Aalto1 November 2017
For whatever reason it is produced, a blueprint solidifies a moment in the design process and further solidifies the project. It is not necessarily the final moment, and often after the blueprints have been produced they might be annotated by one or the other master, resulting in new drawings from… Read More
Francesco Milizia on Maderno, Posi and Jonson
7 November 2019
Francesco Milizia on Maderno, Posi and Jonson7 November 2019
– Francesco Milizia
The first edition of Francesco Milizia’s Le vite de’ più celebri architetti d’ogni nazione e d’ogni tempo, known in English as The Lives of the Celebrated Architects, Ancient and Modern, was published in Rome by Paolo Giunchi in 1768. Clearly an eighteenth-century incarnation of Vasari’s Lives of the Most Excellent Painters, Sculptors, and… Read More
competition elevation publication sketch survey