Period: c19th

Behind the Lines 5

Behind the Lines 5

Philippa Lewis

Boughton MonchelseaMaidstone September 26, 1828 My lord,  Please be so good as to find designs for the lodge that you commissioned, a habitation for your woodman, John Platt. I earnestly hope that it will be the ornament that you desired for your park improvements. I also enclose the books that… Read More

Behind the Lines 4

Behind the Lines 4

Philippa Lewis

Isabella Puddefoot settled herself on the sofa, picked up her embroidery, and after enquiring about his day at the bank, remarked to her husband Samuel: ‘I do declare I am quite spent; running up and down stairs all day is very trying to my constitution. It is eight flights from dealing… Read More

A. W. N. Pugin

A. W. N. Pugin

Peter Howell

In 1846 Viscount Feilding (later 8th Earl of Denbigh) married Louisa Pennant. She was the great-granddaughter of the topographer Thomas Pennant, and inherited his house, Downing Hall, in Flintshire. They decided to build a church to celebrate their marriage. The architect was Thomas Henry Wyatt (who also added to Downing). Building… Read More

R. Norman Shaw

R. Norman Shaw

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Mark Dorrian

Mark Dorrian

Mark Dorrian

When we talk about the sketchbook what do we mean? Its complexity is reflected in the difficulty we experience – in many examples, at any rate – in straightforwardly attaching a name to it, for there are times it might seem to be equally a notebook, a journal, a diary,… Read More

Parataxis

Parataxis

Matthew Wells

‘Whatever elements that may come to hand or that are selected from the profusion of materials within reach, are combined with words to create a simple poetic image. This should amuse, disturb, mystify or provoke reflection. These images above all should entertain – the only sure road to appreciation.’ Man… Read More

Anthony Salvin

Anthony Salvin

Matthew Wells

As Torquay expanded in the mid-nineteenth century with the town’s prominence as a seaside retreat and a connection to the South Devon railway made in 1848, new churches were built to accommodate the increased number of parishioners and seasonal visitors. Whilst construction of the new church of St Mary Magdalene… Read More

William Butterfield

William Butterfield

Nicholas Olsberg

Nothing Permitted But What Has Been Foreseen William Butterfield eschewed the illustrative perspective, preferring instead to develop even his studies as contract drawings that would serve three tasks: as presentations through which a project could be comprehended, as instructions from which his contractors and clients could not swerve, and as… Read More

Archives, or Ardor

Archives, or Ardor

Iris Moon

Butter, fire, ardor: Roberto Calasso tells us that Vedic India is one of the earliest civilisations and one about which the least is known, having left nothing behind but a few fragments of enigmatic texts about worship and sacrifice. No buildings, no palaces, no traces of temples. Just the simple instructions… Read More

Drawings in Conversation

Drawings in Conversation

Matthew Wells

C. R. Cockerell, Joseph Gwilt and the Royal Exchange Competition Owing to a faulty gas lamp, on the 10thJanuary 1838 the Royal Exchange in the City of London was destroyed by fire. The loss of the building was seen to be potentially catastrophic for trade in the City and moves… Read More

E. S. Prior’s ‘Architectural Modelling’

E. S. Prior’s ‘Architectural Modelling’

David Valinsky

The very fact that The Builder should publish an article explaining the benefits, the uses and the methods of making architectural models indicates just how novel the concept was in 1895, even in theory. ‘Architecture Modelling’ was the result of the almost unprecedented display of an actual model at the Royal Academy… Read More

Karl Friedrich Schinkel

Karl Friedrich Schinkel

Basile Baudez

In his designs for the Tilebein House, Schinkel makes considerable use of different colours corresponding to the nature of the materials depicted. To indicate iron he uses a darkish blue, for wood mostly yellow and, of course, when he wants to show cut masonry (he is building in brick), he… Read More

VIOLLET-LE-DUC: Mont Blanc

VIOLLET-LE-DUC: Mont Blanc

Martin Bressani

Thomas: Aitchison / Prendergast

Thomas: Aitchison / Prendergast

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Forty: Philip Webb

Forty: Philip Webb

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Charles Percier

Charles Percier

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Charles Barry: Travel Sketching

Charles Barry: Travel Sketching

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Louis Bricard

Louis Bricard

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Auerbach: Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

Auerbach: Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

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Sheds: Palaces of Nothing

Sheds: Palaces of Nothing

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A Civic Utopia Exhibition

A Civic Utopia Exhibition

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Nicholas Olsberg: Some Thoughts on Sheds

Nicholas Olsberg: Some Thoughts on Sheds

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Fontaine

Fontaine

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Barthélemy Enfantin

Barthélemy Enfantin

Helen Thomas

This strange, flat drawing in watercolour, ink and pencil comprises a sheet of studies thought to be made by French economist and political theorist Barthélemy Prosper Enfantin in 1849. It depicts ideas for the organisation of a military complex, a cité militaire, possibly with Algeria in mind as a location. Enfantin published… Read More