Tag: concept & diagram

A.L.T. Vaudoyer

A.L.T. Vaudoyer

Basile Baudez

Antoine-Laurent-Thomas Vaudoyer’s Maison d’un Cosmopolite is part of a series of projects from the end of the 1780s and 1790s that try to think about the sphere as a built volume. The most famous is Boullée’s Newton Cenotaph but it is one among many. It is not only the sphere… Read More

Galli da Bibiena

Galli da Bibiena

Fabrizio Ballabio

In 1732, renowned architect and painter Ferdinando Galli da Bibiena published a meticulously compiled document illustrating a theory of perspective for the specific use of the architect and the painter. The book was intended for the students of Bologna’s Accademia Clementina (currently the city’s Academy of Fine Arts) and had… Read More

On Architectural Drawing: Lina Bo Bardi and Beyond

On Architectural Drawing: Lina Bo Bardi and Beyond

Marcelo Ferraz

‘Please, draw a hand with three fingers folded and the index finger pointing, so that we can make the signs for the toilets and exits’, Lina Bo Bardi instructed me, but I hesitated. Timid in the early days of my internship and not knowing how to draw, I was being… Read More

Black Airground

Black Airground

Jeffrey Shaw

For Black Airground the artists – Jeffrey Shaw, Theo Botschuijver and Sean Wellesley-Miller – positioned three black military surplus parachutes in a row on the floor of the gallery in the Oxford Museum of Art, entirely filling the exhibition space. Weighted around their rims with sand, these parachutes were continuously inflated with… Read More

Gowan: a rather beautiful coherence

Gowan: a rather beautiful coherence

Charles Rice

James Gowan’s Section through house with mechanical services is a presentation drawing made as part of his scheme for ninety-eight council dwellings in East Hanningfield, Essex, completed in 1978. What we might call the ‘image’ of the East Hanningfield scheme is given by the large round windows which mark the façades… Read More

The Black Drawings of Marie-José Van Hee

The Black Drawings of Marie-José Van Hee

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Auerbach: Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

Auerbach: Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

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Seven Farmyards

Seven Farmyards

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Ville Spatiale

Ville Spatiale

Yona Friedman

The ‘spatial city’, or rather its infrastructure, is the support for a great number of heterogeneous messages. The spatial city, in a way, is the ‘blank sheet of paper’ on which a work is drawn. And it is precisely this nature of the blank sheet of paper that allows nearly… Read More

The Open Hand

The Open Hand

Le Corbusier

The Open Hand will affirm that the second era of the machine-civilisation, the era of harmony, has started.

Walter Pichler: 20 Sketches from the Archives 1961–63

Walter Pichler: 20 Sketches from the Archives 1961–63

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Haus-Rücker-Co.

Haus-Rücker-Co.

This art collective – we might call them the ‘house thief company’ or ‘house drawing company’– took its name from a pun on the verb ‘to draw’ and an old slang word for ‘thief’. Their projects during this period involved interventions in which a house or building would be ‘stolen’… Read More

Five Boxes

Five Boxes

Michael Craig-Martin

Line drawing — drawing without shading, cross-hatching or chiaroscuro — permits and conveys the most precise sense of accuracy of any kind of drawing. The facts are laid bare, nothing can be fudged or obscured. Leonardo used line drawing for his studies of everything from flying machines to the human… Read More

François Soufflot le Romain

François Soufflot le Romain

This drawing, commissioned by Jacques-Germain Soufflot from his nephew in Rome, for presentation to his colleagues at the Académie Française, vindicates the revolutionary structural principles on which his own church of St Geneviève was then being slowly constructed in Paris. It does this by establishing a direct comparison with the… Read More

Simplification

Simplification

Niall Hobhouse and Nicholas Olsberg

The first of these short excursions into work on paper looked at how drawings were used to place built forms in their settings. Grounded in traditions of illustration, they were spacious, suggestive and pictorial. Architects draw to many purposes. In Part II, on Simplification, we turn from the arts of… Read More