Tag: urban form

Friedensreich Hundertwasser

Friedensreich Hundertwasser

Helen Thomas

Hauteurs de Macchu-Picchu, or the Heights of Macchu Picchu is a poem by Pablo Neruda written in 1945 that embraces a visit he made to the site in Peru, and includes within it a critique of modern life. The mountainous location is echoed in the form of this pile of… Read More

Hans Hollein: Everything is Architecture

Hans Hollein: Everything is Architecture

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Hans Hollein: Infinite Space

Hans Hollein: Infinite Space

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Ville Spatiale

Ville Spatiale

Yona Friedman

The ‘spatial city’, or rather its infrastructure, is the support for a great number of heterogeneous messages. The spatial city, in a way, is the ‘blank sheet of paper’ on which a work is drawn. And it is precisely this nature of the blank sheet of paper that allows nearly… Read More

Archizoom, Andrea Branzi and the No-Stop City

Archizoom, Andrea Branzi and the No-Stop City

Andrea Branzi

Archizoom describe this ‘hypothetical theatre’ as part of a fluid and unstoppable culture, a non-stop metropolis re-imagined to fit the times, characterised by mobile theatres, unbound books, rooms without plan, unwritten music, … and cities made of voids. For the first time the presentation technique has … become a specific… Read More

Walter Pichler

Walter Pichler

Walter Pichler

Architecture … is a brutal matter … it crushes those who cannot stand it. Quoted from a manuscript statement, c. 1962

Preamble to a New World

Preamble to a New World

Constant

Stones speak. Towns speak. Ruins and skylines: the story of the people. From ‘Preamble to a New World,’ New Babylon, 1963.

Constant’s New Babylon

Constant’s New Babylon

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History & Origins

History & Origins

Aldo Rossi

And these old drawings […] now have their own history, an almost enforced form of composition. And yet I wonder at the fact that they are the origin or germ of these new architectural works, which others could regard as more professional. In actual fact, invention and imagination have deeper… Read More

Work on Paper: The changing metropolis 1940s–1980s

Work on Paper: The changing metropolis 1940s–1980s

Niall Hobhouse and Nicholas Olsberg

Part III: Monumentalism and motion 1940s –1980s A night rendering, making cinematic use of the dynamics of movement to suggest modernity, appears in the émigré architect Vassilieve’s ideal Manhattan, his animated drawing technique demonstrating how the varied shelves and openings of a setback megablock scheme bring energy and momentum, light… Read More

Work on Paper: The changing metropolis 1900–1930s

Work on Paper: The changing metropolis 1900–1930s

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Work on Paper: Future Scenarios, Part III

Work on Paper: Future Scenarios, Part III

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Work on Paper, part IV: Displaced persons

Work on Paper, part IV: Displaced persons

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